Free Moment of True Feeling by Peter Handke

locked, clamped, screwed tight. They had little sand clocks fastened to them; the sand wouldn’t start flowing until a child paid for the use of a swing—not today. Keuschnig cursed the dead light, which made him feel like his own ghost. He jiggled his hands in disgust. He wanted to complain about the world, which had again become so bare, so barren, so cold and wet, so cramped. Please, let it be night, he thought through the pounding in his head …
    A woman with a full shopping bag walked purposefully across the Carré. Hey you, Keuschnig thought, look at me! Nobody wants to look at me … In a little while, home in her hideous kitchen, she wouldn’t shrink back from pouring nauseatingly golden-yellow oil into a pre-warmed frying pan. That sizzling, so preposterous you want to hold your ears, as she puts a grotesque piece of meat into the pan … And then, as sure as death and taxes, the desolately homelike smell she would send out through the open window at the unoffending passers-by! Keuschnig imagined how, with one hand in a flower-patterned oven glove, she would inevitably go out to her mate, who, aperitif glass in hand, would inevitably be
waiting for her in the LIVING ROOM (or LIBRARY), and imperturbably inform him that dinner was ready. (Possibly she would only knock at the door of his STUDY, two shorts, one long.) The husband would get the inevitable corkscrew … And with all that, Keuschnig thought, she was so shamelessly sure of herself, when you’d have expected such concentrated inevitability to make her sink straight into the earth! Suddenly he had a vision of things happening simultaneously all over Paris: in Saint-Germain-des-Près (TOURIST QUARTER) pizzas were being gouged and tugged about and hungry tourists were going from restaurant to restaurant reading menus, unable to make up their minds; in Ménilmontant (WORKING-CLASS QUARTER) workers were drinking their after-work beer at the Rendez-vous des Chauffeurs, an authentic WORKERS’ BISTRO, where today as usual quite a few intellectuals had dropped in; in Belleville (AFRICAN QUARTER) groups of blacks, some in dashikis, all holding beer cans, were standing silent on the sidewalk; in Auteuil (POSH QUARTER) waiters in leather-upholstered PUBS were asking sons and daughters of the upper bourgeoisie whether they wished FRENCH or FOREIGN beer; and all over town idle pinball machines gleamed, while those in use rattled and clicked, the plane trees and chestnut trees on the boulevards murmured, the black coupling pipes between Métro cars wriggled when the train was in motion, lovers looked into each other’s eyes, HAMBURGERS rested on soggy slices of onion in those WIMPY snack bars that were still left—and all that, thought Keuschnig—as he stared with burning eyes into the same forever unchanging light—year in year out with the same inexorability, predictability, mortal tedium, and deadly exclusivity with which this
possibly perfectly nice woman, for instance, would now prepare an avocado vinaigrette for dinner.
    He didn’t want to be anywhere, he wanted nothing more. He wanted to abolish everything! “I don’t believe in God!” he said, meaning nothing. (Those words had often popped out of him in the past.)
    Night was falling and at last Keuschnig was alone. He stretched his legs, put both arms over the back of the bench, and thought: How gloriously alone I am! And really bared his teeth. One last thought: I not only have to see everything at once, now I want to. Suddenly the wind grew stronger, and Keuschnig lost himself …
    After a while he noticed that for the first time that day there was perfect silence in his head. It was as though he had been having to talk all day, without stopping for breath. Now he only listened. The grass at the edge of the playground was flattened … He listened. The wind died down. When it rose again and the trees set up a murmur, Keuschnig was aware