Free Joni: The Creative Odyssey of Joni Mitchell by Katherine Monk Page A

Joni,” Los Angeles Times , April 22, 2010.
Pauline Rose Clance and Suzanne Imes, “The Imposter Phenomenon in High-Achieving Women: Dynamics and Therapeutic Intervention,” Psychotherapy Theory, Research and Practice 15, no. 3 (Fall 1978): 1. http:// www.paulineroseclance.com/pdf/ip_high_achieving_women.pdf .
Ibid, 3.
Ibid.
Ibid, 4.
Ibid, 5.
Chapter Two Facing Down the Grim Reaper: Illness and Survival
Charles Mingus, spoken remarks contained in the TV documentary Charles Mingus: Triumph of the Underdog, directed by Don McGlynn, 1998. Text version can be found here: learn.bcbe.org/.../jazz%20unit%204%20part%202%20text.pdf?.
Johann Wolfgang Von Goethe, The Maxims and Reflections of Goethe , translated by Thomas Bailey Saunders, VII, 336 http:// www.rodneyohebsion.com/goethe.htm .
Charles Mingus to Nat Henthoff, as quoted in The Nat Henthoff Reader, “Part 2: The Passion of Creation” (Boston: Da Capo Press, 2001), 99.
Mary Dickie, “No Borders Here,” Impact (December 1994).
Vic Garbarini, “Joni Mitchell is a Nervy Broad,” Musician (January 1983).
Echols, “Thirty Years with a Portable Lover.”
Leonard Feather, “Joni Mitchell Has Her Mojo Working,” Los Angeles Times , June 10, 1979.
John Rockwell, “The New Artistry of Joni Mitchell,” New York Times , August 19, 1979.
Dickie, “No Borders Here.”
Boyd, Musicians in Tune , 82.
Ibid, 86.
Garbarini, “Joni Mitchell is a Nervy Broad.”
Feather, “Joni Mitchell Has Her Mojo Working.”
Nietzsche, “Introduction,” Thus Spoke Zarathustra, 18.
Feather, “Joni Mitchell Has Her Mojo Working.”
Details , “Interview” (July 1996). As cited on jonimitchell.com.
Feather, “Joni Mitchell Has Her Mojo Working.”
Nietzsche, “The Intoxicated Song,” Thus Spoke Zarathustra , 331.
Levine, Tending the Fire , 53.
Woman of Heart and Mind outtakes.
Giles Smith, “Joni Mitchell,” Independent , October 29, 1994.
Jim Irvin, “Joni Mitchell,” Word (March 2005).
Jimmy McDonough, Shakey: Neil Young’s Biography (Toronto: Random House Canada, 2002), 45.
Ibid, 188.
Ibid, 47.
Ibid, 46.
Ibid, 96.
Ibid, 254.
Boyd, Musicians in Tune, 87.
Carl G. Jung, Flying Saucers: A Modern Myth of Things Seen in the Sky , translated by R.F.C. Hull (Princeton, NJ: Princeton University Press, 1979).
McDonough, Shakey , 339.
Ibid, 96.
Echols, “Thirty Years with a Portable Lover.”
Joni Mitchell speaking on MuchMusic’s Intimate and Interactive, “The SpeakEasy Interview,”withJana Lynne White, March 22, 2000, transcript at http:// jonimitchell.com/library/view.cfm?id=1388 .
Diehl, “It’s a Joni Mitchell Concert, Sans Joni.”
Iain Blair, “Poetry and Paintbrushes,” Rock Express (May 1988).
Garbarini, “Joni Mitchell is a Nervy Broad.”
Chapter Three Baby Bumps: Expecting and Expectation
Levine, Tending the Fire , 61.
D.W. Winnicott, “Transitional Objects,” (1951), quoted in Jan Abram, The Language of Winnicott (London: Karnac, 1996), 116.
Oscar Brand’s introduction to Mitchell’s first performance on CBC’s Let’s Sing Out, October 1966.
Weller, Girls Like Us , 243.
William Rice, “Joni Mitchell Casts a Spell at Cellar Door,” Washington Post , November 27, 1968.
Larry LeBlanc, “Joni Takes a Break,” Rolling Stone (March 4, 1971).
Nagle, “... Ssshhhhhh... Listen, Listen to Joni.”
Weller, Girls Like Us , 274.
Michelle Mercer, Will You Take Me As I Am: Joni Mitchell’s Blue Period (New York: Free Press, 2009), 72.
Crowe, “The Rolling Stone Interview.”
Echols, “Thirty Years with a Portable Lover.”
Carla Hill, “The New Joni Mitchell,” Washington Post , August 25, 1979.
Morrissey, “Melancholy Meets the Infinite Sadness,” Rolling Stone (March 6, 1997).
Dickie, “No Borders Here.”
Bill Higgins, “Both Sides at Last,” Los