our
sex life
?â She said it loud enough that a diner at the table to her left turned and looked.
Good, let them hear me. Let them see the petite blond getting harassed by the hulk
. âFuck you,
Peter
.â
Now Justine grabbed her arm. âHannah,
letâs go
.â Justine stood and pushed her chair back. Hannah stood, but slowly. The anger within her made her want to stay and fight.
âHe canât send you to make sure everything just disappears. He has to pay for what he did. And he will.â
Peter gave another look of confusion. âIâm not here to buy you off, Ms. Parks.â
âAnd Iâm not asking to be bought.â Anger coursed through her. âIâm telling you he canât just pretend he didnât hurt me. He canât just make it all go away.â
âIâm simply collecting facts about the situation. Wise decisions are rarely arrived at hastily. Without complete information, itâs often necessary to err on the side of caution when formulating a conclusion. In war, an appropriate analogy would be opting for a carpet bombing rather than a surgical strike.â
âIs that what this is, Peter?â Hannah felt her arm being yanked by her sister. âIs this war?â
For some reason that comment seemed to make an impact. A small crack in the mighty exterior of Peterâs face. A twitch on one side, just below his left eye. If this were a boxing match, Hannah would have just scored a point.
Hannah finally succumbed to her sisterâs pleas and followed her out of the restaurant, to the sidewalk, and into a cool, gray October day. Zoo shuffled with apparent glee as Hannah unwrapped his leash from the tree. They walked toward Justineâs car at a pace faster than normal, and the dog, sensing something wasnât quite right, gave out a long, low whine as his small legs struggled to keep up.
CHAPTER TEN
D AY 5
Sheâs having the Billy Dream.
Hannah feels it coming on and deep in her mind, beyond the sleep, she tries to tell herself to wake up. Sometimes this works, but not tonight. Tonight that small part of her brain with the power to wake her or steer her mind toward more pleasant images instead ignores her. Perhaps even laughs a little.
Itâs Thanksgiving night, 1995. Hannah is fifteen. Outside the small house, a cold wind bites and scrapes at the clapboard siding, taking with it flecks of decades-old peeling paint.
Billy is drunk again, and not the sloppy kind of drunk. Thatâs not how Billy was when he drank. Billy got quiet, though there was nothing about his body language suggesting relaxation.
Every sip he takes out of his longneck seems to take more of his words away, until he just sits back in his favorite ripped-fabric chair and looks around at his little world, surveying, waiting for something to require his judgment. It wonât take long. Billy is a strong, lean man, ropy veins always bulging from his constantly tensed arms. His deep olive skin seems perpetually tanned, and his dark complexion makes his eyes glow from his face. They are a washed, transparent blue, the color of ghosts in the snow. Despite the pervasive scowl on his face, he is a handsome manâmodel-like, evenâwhich makes the reality of him all the more ugly. A beautiful monster.
People used to say the same thing about Ted Bundy.
Hannah has her motherâs blond hair and pale skin. She doesnâthave any of her fatherâs physical traits, but she knows she has more than a touch of Billyâs blood inside her.
That fuckinâ bird done yet?
In the dream, he takes another swig from the bottle and lets his arm dangle off the chair, spilling a trickle of beer on the cigarette-burned rug.
Dinnerâs ready
, Hannah hears off in the distance. It is her motherâs voice. Hannah floats to the kitchen where the Thanksgiving meal is beautifully presented, the dream version an exaggeration of the reality from that actual
James Patterson, Gabrielle Charbonnet
Holly Black, Gene Wolfe, Mike Resnick, Ian Watson, Peter S. Beagle, Ron Goulart, Tanith Lee, Lisa Tuttle, Chelsea Quinn Yarbro, Esther M. Friesner, Carrie Vaughn, P. D. Cacek, Gregory Frost, Darrell Schweitzer, Martin Harry Greenberg, Holly Phillips