Autoportrait

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Authors: Édouard Levé
dormitory in my socks, not making any noise, there I surprised a forty-something counselor in the middle of masturbating a ten-year old boy who had to stay in bed because he’d broken his leg, the counselor snatched back his hand and smoothed down the sheet, and that night, while he made his rounds between the beds for lights-out, I called out across the dormitory: “I’m sure he hasn’t got any underpants on under his sweat suit,” right as he was passing me, I pulled down his pants, he was naked, he blushed and ran out without saying anything to me, for the rest of the trip he went to great lengths to make sure our paths never crossed and our eyes never met. I couldn’t say whether I’d prefer to have my left arm amputated or my right leg. When I read psychiatric manuals, I often find that I have one symptom of the illnesses they describe, sometimes more than one, sometimes every symptom. I do not write in order to give pleasure to those who read me, but I would not be displeased if that is what they felt. I can tear a piece of writing paper folded in two, in four, in eight, in sixteen, in thirty-two, in sixty-four, but no more. For reading, my favorite positions are, in order: lying down, sitting in an armchair, sitting on a sofa, sitting at a table, standing up. Often I think I know nothing about myself. I cannot bring myself to hate Jacques Chirac. I like to watch a plastic bag flying around between office buildings, especially when you can’t tell whether it’s going up or going down. When I ask for directions, I am afraid I won’t be able to remember what people tell me, I especially dread those useless directions that consist of people saying, “Then you’ll see a pizzeria, that’s not the place.” I am always shocked when people give me directions and they actually get me where I’m going: words become road. I like slow motion because it brings cinema close to photography. I get along well with old people. I have yet to meet an old man who still listens to rock, but then I haven’t met any old men who listened to rock when they were young. To feel pity makes me sad, but to be the object of someone else’s pity makes me sadder. I have missed two important meetings for the same reason, one with the Polish minister of culture, whom I was supposed to interview, the other with an American judge, whom I was supposed to photograph, I showed up late because I lost track of time. When I was eighteen, I showed up late to a history class, the teacher didn’t scold me directly, but he shared this verdict with the class: “Those who arrive late in youth arrive late all their lives.” On a trip, I fold my dirty laundry so it will take up less space. I could not be the same person in another body. I cannot bear to think about the death of someone I love, when the person dies I suffer two losses: the person is dead, and the unthinkable has occurred. I remember my dreams better when they are useful for my work. I love to recall my dreams, no matter what is in them. My dreams are structured so much like memories of things that happened in real life, sometimes I wonder whether they didn’t. If I sleep badly, I dream more, or else I remember my dreams better. I do not interpret dreams. My dreams are as strange to me as those of other people. It makes me laugh when people tell their dreams. On several different tables at my high school I read these sentences, written one above the other: “God is dead (Nietzsche). Nietzsche is dead (God).” I do not sleep under a comforter but under blankets, which I pull up if I get cold, a comforter rarely produces the right temperature. I have insulted just one person, the cultural councilor at the consulate where I did my military service. My memory embellishes. I often apologize, always thinking I shouldn’t, and that I shouldn’t have to. Over one summer I got six tick bites, only four years later did I become convinced that I had contracted Lyme disease, after I read a list

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