song’s method of dealing with the Piebald Prince had become the traditional way to be surely rid of Witted ones. Regal had been very disappointed that he had not been able to serve me so.
“Not my favorite song,” I said quietly.
“Understandably. However, Slek sang it well, to much applause, more than his voice truly merits. He has that quaver at the end of his notes that some find endearing, but in truth is the sign of a voice with poor control . . .” She suddenly realized she was wandering from her topic. “Feelings run high against the Witted these days. The Witted ones have been restless of late, and one hears wild tales. I have heard that in one village where a Witted man was hanged and burned, all the sheep died four days later. Just dropped in the fields. Folk said it was his family’s revenge. But when they went for vengeance against his kin, they found them long gone. There was a scroll left tacked to the door of their house. All it said was, ‘You deserved it.’ There have been other incidents as well.”
I met her eyes. “So Hap told me,” I admitted.
She nodded curtly. She rose from the table and stepped clear of it. A minstrel to the bone, she had a story to tell, and demanded a stage for it. “Well. After Slek sang ‘The Piebald Prince,’ another minstrel came forward. He was very young, and perhaps that was why he was so foolish. He doffed his cap to Queen Kettricken, and then said he would follow ‘The Piebald Prince’ with another song, of more recent vintage. When he said he had heard it first in a hamlet of Witted folk, muttering ran through the crowd. All have heard rumors of such places, but never have I heard someone claim to have been to one. When the mutter died, he launched into a song I had never heard before. The tune was derivative, but the words were new to me, as raw as his voice.” She cocked her head at me and regarded me speculatively. “This song was of Chivalry’s Bastard. It touched on all he had done before his Witted taint was revealed. He even stole a phrase or two from my song ‘Antler Island Tower,’ if you can believe the gall of that! Then, this song went on that this ‘Farseer’s son with Old Blood blessed, of royal blood and wild, the best’ had not died in the Pretender’s dungeon. According to this song, the Bastard had lived, and been true to his father’s family. The minstrel sang that when King Verity went off to seek the Elderlings, the Bastard rose from his grave to rally to his rightful King’s aid. The minstrel sang a stirring scene of how the Bastard called Verity back through the gates of death, to show him a garden of stone dragons that could be wakened to the Six Duchies’ cause. That, at least, had the ring of truth to it. It made me sit up and wonder, even if his voice was growing hoarse by then.” She paused, waiting for me to speak, but I had no words. She shrugged, then observed caustically, “If you wanted a song made of those days, you might have thought of me first. I was there, you know. In fact, it was why I was there. And I am a far better minstrel than that boy was.” There was a quiver of jealous outrage in her voice.
“I had nothing to do with that song, as I’m sure you must realize. I wish no one had ever heard it.”
“Well, you’ve little enough to worry about there.” She said the words with deep satisfaction. “I’d never heard it before that day, nor since. It was not well made, the tune did not fit the theme, the words were ragged, the—”
“Starling.”
“Oh, very well. He gave the song the traditional heroic ending. That if ever the Farseer crown demanded it, the true-hearted Witted Bastard would return to aid the kingdom. At the end of the song, some of the Springfest crowd yelled insults at him and someone said he was likely Witted himself and fit for burning. Queen Kettricken commanded them to silence, but at the end of the evening, she gave him no purse as she did the other minstrels.”
I
Dean Wesley Smith, Kristine Kathryn Rusch
Martin A. Lee, Bruce Shlain