around like she doesnât recognize her surroundings. âWhereâs my biscuits?â
I cringe. âI think theyâre toast.â
âNot toast. Biscuits.â
âI mean theyâre burned.â
She waves this away and hobbles over to the tray. I can see the distress etched into her face. And I can also see the moment she decides to conceal it. âDonât be ridiculous. Theyâre supposed to be like this. Iâm trying out a new recipe.â
I stare, dumbfounded, at the as-black-as-night biscuits, then back at Mamma V. âAre you feeling okay?â I ask.
âOf course, Mikey. Iâm feeling fine. You go on home. Iâm going to butter these biscuits.â
Iâm anxious about leaving her alone, but when I linger in the doorway, she shoos me again. âGo!â
So I do.
It isnât until Iâm halfway through the grounds that I remember I left my phone in the employee break room this afternoon, and have to turn around. Normally I would just leave it and come back for it in the morningâIâve neverbeen overly attached to my phoneâbut my dadâs friend Dave is supposed to text me first thing tomorrow morning with the address of the roofing job.
I went to see him about it earlier in the week, just as I promised my dad I would. Dave was worried about the fact that Iâve never worked on a roof by myself before, but I assured him I would be fine. Iâve helped my dad on enough of his jobs that Iâm confident I can hold my own.
I jog into the break room and yank open the door of my locker. My phone is waiting for me on the top shelf. I pocket it, slam the door, and spin around, coming face-to-face with a girl covered head to toe in every color of paint imaginable.
Itâs that cute girl who tried to rescue me from not drowning last week, although it takes me a second to recognize her without the wet duck pajamas . . . and with the green paint in her hair.
âHey!â I say, suddenly realizing I never actually got her name.
âJulie,â she says, reading my mind. âKind of hard to believe that of all the words that came out of my mouth that night, my name wasnât one of them.â
I chuckle. âThatâs okay. Iâm Mike.â
âI know.â
âYou do?â
âYour name came up the other day when I was talking to one of my coworkers. Apparently youâre a legend around this place. Have you really been working here since you were twelve?â
âThirteen, actually.â
She shakes her head in disbelief. âAmazing.â
âNot really. It just means I havenât had a life since I hit puberty.â
She laughs so hard, she actually snorts. Itâs kind of adorable.
I glance down at her outfit. Itâs the usual club employee getup: khaki shorts and a white polo shirt. Except hers looks like a badly replicated Monet. âWell, you apparently had an interesting day.â
She sighs. âYeah. Remind me to never do craft hour after Popsicle time. Sugar rushes and wet paint donât mix.â
I take a step back, admiring the artwork on her uniform. âI donât know. I think you might have something here. Maybe impressionist.â
âOh, no,â she deadpans. âItâs cubism all the way. When that five-year-old is dead, this polo shirt is going to be worth a fortune.â
I laugh. âIt looks good on you.â
It isnât until her face flushes with color that I realize what Iâve said. Was I flirting? I certainly didnât mean to. Iâve never been very good at the flirting thing. Iâve never really had to get good at it. Harper and I have been dating since we were twelve.
I try to backpedal. âI mean, the art looks good. Not the polo shirt. Itâs hard to look good in those stupid club uniforms. Not that you look bad in it. Itâs just, you know, a polo shirt.â
And now Iâm rambling.
She
Xara X. Piper;Xanakas Vaughn