Sartor Resartus (Oxford World's Classics)

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Authors: Thomas Carlyle, Kerry McSweeney, Peter Sabor
he still, live and meditate. Here, perched up in his high Wahngasse watchtower, and often, in solitude, outwatching the Bear, it was that the indomitable Inquirer fought all his battles with Dulness and Darkness; here, in all probability, that he wrote this surprising Volume on
Clothes
. Additional particulars: of his age, which was of that standing middle sort you could only guess at; of his wide surtout; the colour of his trousers, fashion of his broad-brimmed steeple-hat, and so forth, we might report, but do not. The Wisest truly is, in these times, the Greatest; so that an enlightened curiosity leaving Kings and such like to rest very much on their own basis, turns more and more to the Philosophic Class; nevertheless, what reader expects that, with all our writing and reporting, Teufelsdröckh could be brought home to him, till once the Documents arrive? His Life, Fortunes, and Bodily Presence, are as yet hidden from us, or matter only of faint conjecture. But on the other hand, does not his Soul lie enclosed in this remarkable Volume, much more truly than Pedro Garcia’s did in the buried Bag of Doubloons? * To the soul of Diogenes Teufelsdröckh, to his opinions namely on the “Origin and Influence of Clothes,” we for the present gladly return.

CHAPTER 4
CHARACTERISTICS
    I T were a piece of vain flattery to pretend that this Work on Clothes entirely contents us; that it is not, like all works of Genius, like the very Sun, which, though the highest published Creation, or work of Genius, has nevertheless black spots and troubled nebulosities amid its effulgence,—a mixture of insight, inspiration, with dulness, double-vision, and even utter blindness.
    Without committing ourselves to those enthusiastic praises and prophesyings of the
Weissnichtwo’sche Anzeiger
, we admitted that the Book had in a high degree excited us to self-activity, which is the best effect of any book; that it had even operated changes in our way of thought; nay, that it promised to prove, as it were, the opening of a new mine-shaft, wherein the whole world of Speculation might henceforth dig to unknown depths. More specially it may now be declared that Professor Teufelsdröckh’s acquirements, patience of research, philosophic and even poetic vigour, are here made indisputably manifest; and unhappily no less his prolixity and tortuosity and manifold inaptitude; that, on the whole, as in opening new mine-shafts is not unreasonable, there is much rubbish in his Book, though likewise specimens of almost invaluable ore. A paramount popularity in England we cannot promise him. Apart from the choice of such a topic as Clothes, too often the manner of treating it betokens in the Author a rusticity and academic seclusion, unblamable, indeed inevitable in a German, but fatal to his success with our public.
    Of good society Teufelsdröckh appears to have seen little, or has mostly forgotten what he saw. He speaks out with a strange plainness; calls many things by their mere dictionary names. To him the Upholsterer is no Pontiff, neither is any Drawingroom a Temple, were it never so begilt and overhung: “a whole immensity of Brussels carpets, and pier-glasses, and ormolu.” as he himself expresses it, “cannot hide from me that such Drawing-room is simply a section of Infinite Space, where somany God-created Souls do for the time meet together.” To Teufelsdröckh the highest Duchess is respectable, is venerable; but nowise for her pearl-bracelets, and Malines laces: in his eyes, the star of a Lord is little less and little more than the broad button of Birmingham spelter in a Clown’s smock; “each is an implement,” he says, “in its kind; a tag for
hooking-together;
and, for the rest, was dug from the earth, and hammered on a stithy before smiths’ fingers.” Thus does the Professor look in men’s faces with a strange impartiality, a strange scientific freedom; like a man unversed in the higher circles, like a man dropped thither from

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