for her then, because he himself had a night job at the mill.
Morgan said that he did not know what there was to be scared of in a place like this, and was about to tell her to get lost, when he remembered the night policeman who often broke his rounds to watch a little of the movie. Perhaps he could be charged with getting Leah home.
She said that she would ask her father.
Her father agreed, but he had to be satisfied on other accounts. Leah was not to look at the screen or listen to anyof the dialogue. The religion that the family belonged to did not allow it. Morgan said that he did not hire his ticket takers to give them a free peek at the show. As for the dialogue, he lied and said that the theater was soundproofed.
Ray Elliot, the night policeman, had taken the job so that he would be able to help his wife manage for at least some part of the daytime. He could get by with about five hours’ sleep in the morning and then a nap in the late afternoon. Often, the nap did not materialize, because of some chore that had to be done or just because he and his wife—her name was Isabel—got to talking. They had no children and could get talking anytime about anything. He brought her the news of the town, which often made her laugh, and she told him about the books she was reading.
Ray had joined up for the war as soon as he was eighteen. He chose the Air Force, which promised, as was said, the most adventure and the quickest death. He had been a mid-upper gunner—a position that Isabel could never get straight in her head—and he had survived. Close to the end of the war, he’d been transferred to a new crew, and within a couple of weeks his old crew, the men he’d flown with so many times, were shot down and lost. He came home with a vague idea that he had to do something meaningful with the life that had so inexplicably been left to him, but he didn’t know what.
First, he had to finish high school. In the town where he had grown up, a special school had been set up for veterans who were doing just that and hoping to go on to college, courtesy of the grateful citizens. The teacher of EnglishLanguage and Literature was Isabel. She was thirty years old and married. Her husband, too, was a veteran, who considerably outranked the students in her English class. She was planning to put in this one year of teaching out of general patriotism, and then she was going to retire and start a family. She discussed this openly with her students, who said, just out of her earshot, that some guys got all the luck.
Ray disliked hearing that kind of talk, and the reason was that he had fallen in love with her. And she with him, which seemed infinitely more surprising. It was preposterous to everybody except themselves. There was a divorce—a scandal to her well-connected family and a shock to her husband, who had wanted to marry her since they were children. Ray had an easier time of it than she did, because he had little family to speak of, and those he did have announced that they supposed they wouldn’t be good enough for him now that he was marrying so high up, and they would just stay out of his way in the future. If they expected any denial or reassurance in response to this, they did not get it. Okay with him was what he more or less said. Time to make a fresh start. Isabel said that she could go on teaching until Ray had finished college and got established in whatever it was that he wanted to do.
But the plan had to change. She was not well. At first, they thought it was nerves. The upheaval. The foolish fuss.
Then the pains came. Pain whenever she took a deep breath. Pain under the breastbone and in her left shoulder. She ignored it. She joked about God punishing her for her amorous adventure and said that he, God, was wasting his time when she didn’t even believe in him.
She had something called pericarditis. It was serious andshe had ignored it to her peril. It was something she would not be cured of but could