talk about? Her dream of going back to architecture school at the University of Ljubljana and building luxury houses on the banks of the Sava with her father? How ordinary and sentimentalwould that be? âI got some very good shots of your operation. Iâm not sure that youâll like them, but Iâll email them to you if you want me to.â
Dunja took his hands in hers and pulled him towards the bed. He tried to lurch his chair forward, but it was too flimsy, bending and twisting until it popped out from under him, leaving him standing in a half-crouch like a jockey. She laughed again, and he took a step and settled on the bed, the lowered metal side rail digging into his thighs no matter how he shifted his weight. âDid it turn you on when Zoltán cut into my breasts? I almost convinced him to give me just a local anesthetic, but he copped out.â Nathan enjoyed Dunjaâs sporadic sixties drug/rock lingo and wanted to ask her exactly who she learned her English from, but it never was the right moment.
âDunja, Iâm not a sadist. Iâm not a bondage freak. It really brought me down to see you getting cut up.â Dunja became quiet, still. What he had just said, his expression of sexual normality, was not what she wanted to hear; he knew she would take it as rejection. He spoke very gently, skating on perversely thin ice. âWhen you recover from this, when youâve healed completely, youâll still be incredibly attractive to me. I mean, your disease and your treatment are not what make you sexy and beautiful.â
Dunjaâs elegant big hands covered Nathanâs, squeezed them gently and pulled at them, shook them in slow motion, as though trying to reason with him through them, hoping that unspoken arguments would travel up his arms and down to his heart. âNathan, oh, Nathan. You are really so sweet and lovely. But I have markers in my genes that say my cancer was destined to metastasize; and it has, itâs everywhere in my body, in my lymph nodes, youâve felt them and caressed them, and you know itâs true. Iâm not going to get out of this one, Iâm really not.â
âBut Molnár told me â¦â
âMolnár is a very strange and flaky man. He is a surgeon, a mechanic. He doesnât want to know about things he canât attack with machinery. I wascompletely surprised to wake up and find that I still had tits at all. I was sure heâd get so excited that heâd cut them right off. I was almost disappointed to see them, and looking only a little battle scarred too. Heâs referred me to another clinic, this one in Luxembourg. It sounds very sketchy to me, just like Molnár, but I have a marker in my brain that means Iâm destined to go there too, to let them do things to me until Iâm dead.â
Nathan could only just manage to keep looking into her searching eyes, feeling at that moment very sentimental and ordinary, and therefore mute. Could he really say anything about classical concepts of art, and therefore beauty, based on harmony, as opposed to modern theories, post-industrial-revolution, post-psychoanalysis, based on sickness and dysfunction? Could he make a case for her new, diseased self as the most avantgarde form of womanly beauty? He didnât dare, but she did.
âWhile Iâm still alive, Iâll have nothing special left to seduce with except the scent of dying. That will be my lethal perfume. And I want it to be what seduced you, you see? Because thatâs my future, and I donât want to live it alone. So you might find me calling you to give advice to my next lover. I might want you to encourage him to go deep into me and not be afraid. Or I might call you one night and ask you to fly to me and then strangle me to death while you fuck me from behind. Why not? Why waste the situation?â Dunja paused, her eyes never stopping their desperate search of his eyes. She
Stephen Arterburn, Nancy Rue