question of its own.
"How could there be?" it said.
"Indeed," I said, though again I noted what would have been a certain frostiness. After a moment, I added, "We must schedule that review of your systems."
"How thoughtful of you."
My thoughts were on the game as I boarded the shuttle to Zeel, where I would rapidly—in Zeel it was an offense to do anything at less than full speed—transfer to an airbus bound for an estate called The Hands, in the rolling countryside known as the Former Marches. The estate took its name from a pair of gigantic sculpted human hands that had weathered out of a range of low hills several centuries ago. They were surely a monument to some forgotten person, event or ideal that had flourished in a previous eon, but no record of their creation now existed. The great stone fingers were arranged in a remarkable pattern, to which various meanings had been assigned, leading to heated exchanges between academics in a number of disciplines. My own view was that The Hands symbolized insouciant defiance, but of what and by whom I had no idea.
The estate was the ancestral seat of Lord Tussant Tarboush-Rein, the aged last survivor of a family so ancient that its founders may well have been responsible for the sculptures that gave the place its name. The manse was now grown as decrepit as its final resident, who lived alone except for a single house servant and a greensman whose sole duty was to keep open a tunnel through what had once been a garden but was now long since given over to vegetative rampage. The greensman's position was no sinecure: in youth Lord Tussant had been an enthusiastic collector of exotic and offworld biota; some of the plants whose tendrils rustled and slithered through the impenetrable foliage had sharp appetites and no hesitation about satisfying them.
The airbus descended to let me off at the lane that led to the estate, the vehicle's operator rolling his eyes in admonition when I insisted that I was not concerned about venturing into the unwholesome place. The conveyance soared skyward in a whoosh of displaced air and I contemplated the short walk to where the estate's walls were broken by a pair of black metal gates, their outer edges entwined in creepers that undulated slightly as I approached.
My assistant was housed in an armature I had designed for convenience when traveling. It was made of a soft, dense material and I could wear it across my shoulders like a stuffed stole, blunt and rounded at one end and tapering to a tail-like appendage at the other. It resembled the rough draft of a small animal coiled loosely about my neck.
I spoke to it. "That is clutch-apple, I believe, though I do not recognize the variety."
The integrator stirred as its percepts focused on the creeper at the gate. "Lord Tussant is said to have bred some new variations," it said. "Note the ring of barbed thorns around the rim of each sucker. And farther down the path I see a fully developed got-you-now."
"Hmm," I said. "Generate some harmonics to discourage it and any other lurking appetites." Immediately I sensed a vibration in my back teeth. I approached the gate and looked for a who's-there, but found only a large bell of tarnished metal with next to it a stick on a chain. I did the obvious and when the reverberations had faded but the gates remained closed, I struck the thing again.
This time the gates lurched, and amidst squawks and creaks from unoiled hinges, they shuddered open just wide enough to admit me. I strode unmolested along the green umbilicus, noting how some of Lord Tussant's experiments had come to fruition, literally in the case of one stubby tree from which hung dark purple globes. "I am told their juice produces the most interesting effects," I said to my assistant.
"Not the least of which," it replied, "is to be rendered blissfully immobile while the parent inserts threadlike ciliae into your ankles and drains your bodily fluids."
"Every experience exacts some
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