Free Glock: The Rise of America’s Gun by Paul M. Barrett Page A

the NYPD, what other cities called SWAT, quietly ordered seventy Glock pistols—another hopeful development. Walter continued to press for a broader hearing in New York.
    In June 1986, the limitations of the six-shot revolver were convincingly illustrated in a gunfight in Far Rockaway, Queens. Rookie NYPD officer Scott Gadell and his partner chased a gunman who opened fire on them. Gadell leaped for cover behind a stoop and shot back, emptying his .38-caliber Smith & Wesson. As he tried to reload, the gunman stepped forward and fired a fatal shot into the left side of Gadell’s forehead, just above the ear. The gunman fired a total of nine shots from a nine-millimeter semiautomatic. “Every cop knows about Scott,” a fellow officer later said. “He’s an example of a cop who did everything he was supposed to but ended up dying because of second-rate equipment.”
    Then, in September 1988, the Associated Press landed a scoop that ricocheted around the city’s media and beyond: New York Police Commissioner Benjamin Ward was carrying a Glock 17 beneath his suit jacket! The
New York Post
teased the story on its front page and ran this punning all-caps headline:
    TOP COP WARDS OFF BAN ON SUPER GUN
    “Police Commissioner Benjamin Ward is licensed to carry a controversial plastic super-pistol that is banned in New York City,” the
Post
reported. “Ward can carry a state-of-the-art nine-millimeter Glock pistol, according to a copy of a renewal of Ward’s carry license, dated July 6.”
    Caught flat-footed, the NYPD told the
Post
that “the Glock issued to Ward was ‘part of a controlled test.’ ” Since the department wasn’t very responsive, the newspaper sought others to describe the “super gun.” One was Dr. David Mohler, an orthopedic cancer specialist at Sloan-Kettering who said he had owned a Glock in California but had been discouraged from bringing it with him to New York because of the licensing ban. “The Glock,” Mohler told the paper, “is one of the best combat pistols you can find.”
    “ ‘Super gun,’ can you imagine?” Karl Walter would muse more than two decades later. Shaking his head, he chuckled. “You can’t buy that kind of attention, not for $50 million, not for $100 million.”
    A day after the Ward disclosure, the NYPD ended the Glock ban. A deputy police commissioner explained that research had demonstrated that the gun “could not be defined as an undetectable weapon, and in fact can be detected with today’s present technology in the security field.”
    “From that moment on, everything started to roll,” Waltersaid. Soon hundreds of NYPD narcotics detectives, organized crime investigators, and other specialized units were carrying Glocks. Today the brand is one of three that New York authorizes, and about twenty thousand of the city’s officers carry a Glock.

    Gaston Glock was not the first firearm designer to promote a handgun to Americans in uniform as a means of developing a lucrative market. “The first was Samuel Colt,” Karl Walter noted. Nor is there any evidence that Gaston Glock was consciously inspired by the mid-nineteenth-century impresario of the revolver. But the strategy that the Glock-Walter team pursued 140 years later uncannily resembled that of Sam Colt. The similarities illuminate lasting themes in the American gun business.
    Born in Hartford, Connecticut, in 1814, Colt was a mechanically inclined boy who grew bored working in his father’s textile mill. At fifteen, he shipped out as an apprentice seaman, and, according to most biographies, it was on this youthful voyage that he got the idea for his version of a repeating firearm the cylinder of which revolved, wheel-like, around the barrel. Some accounts say the design came to him while he fixated on the operation of the ship captain’s wheel; others, that he got the idea while focused on the capstan used to raise anchor. More prosaically, according to historian Chuck Wills, young Colt may have