do.â
âActually, itâs perfect.â
He wandered the room in a fog of thought. Heâd originally envisioned a wilderness scene, with Commerce as a stodgy fellow he meant to paint in later, looming over the lovely Art lying prone beneath his knife as her blood dripped onto the granite altar. But why should Commerce be outside? Better to use that classical frieze that spanned the schoolroomâs ceiling. And the fretwork above the windows, like something out of a Grecian temple, or a bank.
Yes! The modern equivalent of the worship of money was the institution where all that money was kept! Banks often had Grecian architecture, some elements of which were in this very room.
Excitement coursing through him, he scanned the marble fireplace with its plaster medallion above, perfect for a bank. And the oak table could work as a counter, like those where clerks stood to serve the account holders.
He frowned. But the oak was still too dark to show the blood. Maybe if heâ
âMr. Keane!â
The voice startled him. Only after he turned to find Lady Yvette looking worried did he realize sheâd spoken his name more than once. âYes?â
âWhere were you?â
He smiled ruefully. âForgive me, my lady. WhenIâm working I get a bit lost in the project, and my surroundings disappear.â
She nodded. âRather like Edwin when heâs working on his automatons.â
âAutomatons?â
âMachines that you wind up andââ
âI know what an automaton is,â Jeremy remarked. âI just wouldnât have expected your brother to have any.â
âHe does them for the boysâ school we support. Says that they help the boys learn physics and mechanical skills and such. But I think he also does it because of Papa.â
âOh?â
âPapa collected dozens through the years. At first, Edwin fiddled with them only when they broke, since Samuel and I were so amused by them.â Her face clouded over. âThen later he started making his own after Mama got sick, when he had to spend hours at her side because . . .â
Whirling on her heel, she walked into the hall. âWe should go downstairs,â she said in a remote tone. âI hear Edwin calling. And it wouldnât do for him to find us up here.â
âNo.â Jeremy hadnât heard anyone calling, and he doubted she had, either. Something had spooked her, and he wanted to know what.
But now wasnât the time to raise the question. Heâd wait until she was posing for him and couldnât easily run off. Then heâd find out exactly why his Juno was so skittish.
Five
Yvette sat across from Edwin in the drawing room, trying not to look at Mr. Keane. It was impossible. Tonight he wore a brilliant blue tailcoat that made his eyes shine so luminously, she could stare at him for hours.
Not that he gave her the chance. As she and Edwin played chess, he sat beside the fireplace and sketched.
She couldnât believe sheâd agreed to meet with him alone at night. Was she out of her wits?
No. She was a grown woman in full control of her senses. She was older now, and far wiser. Surely she could handle the likes of Mr. Keane.
If youâre naïve enough to think that threatening to call a servant would save you from seduction, then you donât know any manâs tricks.
Oh, dear.
Still, he did want his painting. He would behave.
Look at him now, so intent on drawing her that he couldnât even make polite conversation. It wassomewhat lowering that he saw her only as some object to sketch. If this was how he always worked, though, she would have nothing to worry about.
âAre you sure you donât want to take my place here?â She was determined to get some reaction from the man. âIâm no match for Edwin at chess.â
He didnât answer. Edwin exchanged a glance with her.
âMr. Keane?â she said