devotion to Ma Perkins and John's Other Wife .
Oh, Garvey was getting sly. His inner self observed: You're on top. Stay there! Please your public! Tomorrow, play the Two Black Crows records! Mind your step! Bonnie Baker, now . . . that's it! They'll shudder, incredulous that you really like her singing. What about Guy Lombardo? That's the ticket!
The mob-mind, said his subconscious. You're symbolic of the crowd. They came to study the dreadful vulgarity of this imaginary Mass Man they pretend to hate. But they're fascinated with the snake-pit.
Guessing his thought, his wife objected. "They like you."
"In a frightening sort of way," he said. "I've lain awake figuring why they should come see me! Always hated and bored myself. Stupid, tattletale-gray man. Not an original thought in my mind. All I know now is: I love company. I've always wanted to be gregarious, never had the chance. It's been a ball these last months! But their interest is dying. I want company forever! What shall Ido?"
His subconscious provided shopping lists.
Beer. It's unimaginative .
Pretzels. Delightfully "passé ."
Stop by Mother's. Pick up Max field Parrish painting, the flyspecked, sunburnt one. Lecture on same tonight .
By December Mr. Garvey was really frightened.
The Cellar Septet was now quite accustomed to Milton Berle and Guy Lombardo. In fact, they had rationalized themselves into a position where they acclaimed Berle as really too rare for the American public, and Lombardo was twenty years ahead of his time; the nastiest people liked him for the commonest reasons.
Garvey's empire trembled.
Suddenly he was just another person, no longer diverting the tastes of friends, but frantically pursuing them as they seized at Nora Bayes, the 1917 Knickerbocker Quartette, Al Jolson singing "Where Did Robinson Crusoe Go With Friday on Saturday Night," and Shep Fields and his Rippling Rhythm. Maxfield Parrish's rediscovery left Mr. Garvey in the north pasture. Overnight, everyone agreed, "Beer's intellectual. What a shame so many idiots drink it."
In short, his friends vanished. Alexander Pape, it was rumored, for a lark, was even considering hot water for his cold-water flat. This ugly canard was quashed, but not before Alexander Pape suffered a comedown among the cognoscenti .
Garvey sweated to anticipate the shifting taste! He increased the free food output, foresaw the swing back to the Roaring Twenties by wearing hairy knickers and displaying his wife in a tube dress and boyish bob long before anyone else.
But, the vultures came, ate, and ran. Now that this frightful Giant, TV, strode the world, they were busily re-embracing radio. Bootlegged 1935 transcriptions of Vic and Sade and Pepper Young's Family were fought over at intellectual galas.
At long last, Garvey was forced to turn to a series of miraculous tours de force, conceived and carried out by his panic-stricken inner self.
The first accident was a slammed car door.
Mr. Garvey's little fingertip was neatly cut off!
In the resultant chaos, hopping about, Garvey stepped on, then kicked the fingertip into a street drain. By the time they fished it out, no doctor would bother sewing it back on.
A happy accident! Next day, strolling by an oriental shop, Garvey spied a beautiful objet d'art . His peppy old subconscious, considering his steadily declining box office and his poor audiencerating among the avant-garde, forced him into the shop and dragged out his wallet.
"Have you seen Garvey lately!" screamed Alexander Pape on the phone. "My God, go see!"
"What's that? "
Everyone stared.
"Mandarin's finger-guard." Garvey waved his hand casually. "Oriental antique. Mandarins used them to protect the five-inch nails they cultivated." He drank his beer, the gold-thimbled little finger cocked. "Everyone hates cripples, the sight of things missing. It was sad losing my finger. But I'm happier with this gold thingamajig."
"It's a much nicer finger now than any of us can ever have." His
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