hard at the surface of his desk. âYeah, well, one of the things Iâd like to do right now is my alleged job as marketing director of Baronet.â
âBut she wonât letââ
âShe does happen to be the president of the company, Mâlou.â
âItâs just that I canât stand seeing her use you as herâwhipping boy!â
âAre you calling me a pantywaist?â
âNo! Youâre one of the brightest, most talented men Iâve ever known. But that womanââ
âThat woman also happens to be my mother.â
âOf course! And of course you love her. But any mother who loved her son wouldnât treat him this way.â The ice beneath her feet grows ever thinner, but she plunges on. âItâs justâitâs just that I wish youâd let me take you to my Assertiveness class, Eric. Weâre into some consciousness-raising stuff now. We meet everyââ
âYeah, well, I donât think I need your Assertiveness class, Mâlou. Thanks, anyway.â
âIâve made you angry, havenât I? Oh, Eric, Iâm sorry! But itâs justâitâs just that I thought you were asking for my opinion.â
âYeah, well, Iâll handle things. Donât worry about me, Mâlou.â
She laughs unhappily. âItâs my Assertiveness class, I guess. Itâs made me too assertive. Iâm sorry.â
âI just donât want you getting any gray hairs over this. Leave things to me, okay?â
âOf course, Eric.â
They sit in silence for a while. Miserably, she thinks: I have made him even more upset.
He thinks: This is all my fault for bellyaching to her in the first place.
âWellââ she says, and with the fingers of her right hand she flicks an imaginary ash from the skirt of her blue silk suit. Then she uncrosses her long legs and stands up. âWell, Iâm skipping lunch today, so Iâll be right outside if you need me for anything.â
âThanks, Mâlou.â
âCan I order a sandwich for you?â
âUhâno, thanks.â
She hesitates. âWill Iâbe seeing you tonight?â she asks him.
Still frowning, he shakes his head. âI thinkânot,â he says. âIâve been getting some grief on the home front, too. So I think Iâd better say not.â
âPoor Eric.â
He looks up at her.
âTomorrow, maybe?â
âWeâll see,â he says.
âIâm sorry if I made you angry. Really sorry.â
âNo, not angry.â He smiles at her faintly. âSkip to Mâlou,â he says. âSkip to Mâlou, my darling. Skip to Mâlou, my dear.â
She tries to return the smile. Then, slowly, she turns away from him and moves across the room on her slender high heels. At the door she hesitates again. âShall I leave your door open or closed?â
âClosed, I think.â
She opens the door, lets herself out, and then very quietly closes the door behind her.
Alone in the office, Eric thinks: Skip to Mâlou. And then thinks: In this direction lie only frustration, confusion, and despair. He has just decided to give her up. For the third time this week.
He sits for a long time in the empty office, staring at the hunting prints (pink-coated hunters pursuing the fox) without seeing them, avoiding with his eyes the low table against one wall, where, in three matching silver frames inscribed with his initials, the photographs of a blonde wife and two pretty daughters smile at him with expressions of remarkable self-assurance and confidence, none of them in need of an Assertiveness class.
Finally, he reaches for the telephone on his desk, lifts the receiver, and presses a short series of musical numbers. When a womanâs voice answers, he says, âGloria, may I speak to my mother, please?â
âIâm sorry, Mr. LeBaron, but Mrs. LeBaron has
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