did their first go-round. Now the boat waits for them. Just a cup of coffee and Liv will be ready. Thereâs some left in the pot, enough to get her started, and she empties it into a mug, then opens the fridge for cream. As she hunts, she hears movement in the foyer, the rush of air of the door opening and someone marching in. Whit, no doubtâhaving forgotten something.
She smiles as she turns. âWhat did youâ? Oh.â
âMorning.â Sam motions behind her. âI just came back for waters.â
âOf course.â She steps aside to let him at the fridge. A memory flashesâtheir old apartment, making cappuccino on lazy Sunday mornings that were seconds away from becoming afternoons, the cloud of foam he could always coax from the machine for her, whipped and slightly shiny like meringue. How sheâd loved the sound of the growing froth, hollow and even.
He nods toward the window and the view of supperâs carnage. âI bet youâre hoping the cleaning fairies will come and get rid of all that while weâre gone, huh?â
âHow did you know?â
âWild guess.â
Heâs pulling at that part of her that used to crave order, that cleaned and neatened obsessively. When she and Sam lived together, she never went to bed with dishes in the sink. Now she wakes to a house in chaos.
Sam grabs a pair of tall bottles, wedges them under his arm, and smiles. âAt least this time we wonât be late.â
â¢Â   â¢Â   â¢
B y seven, they are on the water, speeding out into the Atlantic in the taxi boat to where the
Aqua Blue
waits for them. Whit seems unusually restless, Liv thinks as she watches him pace the crowded deck. It isnât like him. This part of the mission is usually when her husband shines brightest, infecting the crew with his fierce optimism, like a footballcoach rallying his team in the locker room before the big game. Instead Whit seems distracted, detached. She wonders if Sam has noticed.
The
Aqua Blue
is an older boat, spacious and a little creaky, but still Liv swears her pulse syncs itself with the rhythm of her engines, the hum of her propellers, when they finally board. Their captain is a wiry man in his fifties named JT who wants to give them an orientation tour as soon as they are settled. They chartered a much larger salvage vessel when they excavated the
Bella Donna
, but Liv prefers this scale. Too big scares her. Not unlike the house Whit has rented for them.
They convene in the cockpit, where Whit is preparing the map they will use to chart the debris field, cataloging where they find artifacts. Sam suggests they dig first before sending divers down, but Whit is adamant they all get to the bottom right away. The current is already kicking, he says.
Following the safety briefing, they suit up. Theyâll go in two groups, Sam decides, and begin to map the site by setting grid lines around the wreck, marking north, south, east, and west. Once the ropes are set, the survey can begin. He tells Liv that she will go in the second group, a plan that fills her with much-needed calm. As confident as she is in her diving, she likes knowing Whit will be below if anything should happen. Not that anything
will
happen.
Her wet suit on, she goes to find Whit. Heâs alone outside the bridge, slugging coffee as if itâs last call at the pub.
âWhatâs wrong?â she says.
Whit turns and looks startled, as if heâs been foundsleepwalking. âWe should have been down a half hour ago,â he says. âI donât like wasting time.â
âSafety checks arenât wasting time.â
âIâm not talking about safety checks.â
âWhat, then?â But she knows. âThis is why we asked Sam, Whit. Because he does things the way they should be doneââ
âBy the book. I know, I know.â He bites his lip and stares hard at the men on deck.
Dean Wesley Smith, Kristine Kathryn Rusch
Martin A. Lee, Bruce Shlain