Free Earth and Air by Peter Dickinson

by something more than a trickle, more than a small stream. The source of light appeared, an ordinary oil lantern standing on a ledge carved into the opposite wall. Just beyond it, the dog.
    A dog of the Deniakis breed, all right, though larger than most, almost twice the size of Ridiki, but very much her colouring. Its collar was fastened by a light chain to a shackle in the wall, and it was lying across the near side of the tunnel, with its head turned away from him, ears half pricked, motionless. He knew that pose only too well. It was waiting for the return of its master.
    What now? In the world of flesh and bone the only sane thing would be to turn back. It was the pipes that made up his mind. Unconsciously while he hesitated he had been weighing them in his hand, but now he found himself gazing dreamily down at them. His shadow self returned, allowing him to look at them through shadow eyes, to see them for what they were in that dim light. In the world of fresh and blood he had brought them here as a tangible offering to make as part of his farewell to Ridiki, a way of telling himself that now, truly, finally, he was letting her go. But, like one of the echoes in this place of echoes, that purpose now reverberated back to him from the shadow world all changed, telling him that if he used them the pipes were a passport, a charm with which he might persuade the powers of the underworld to let him through.
    Suppose it was all nonsense. Suppose the dog’s only response was to set up a clamour of barking and bring its master running. The man must be a little way off, beyond the dog’s awareness, to judge by its anxious, waiting pose. He’d have a good start. Once through the door he could run the collar through the lock-shackles and fasten it tight. It would take the man some while to force his way past that, and by then Steff would be out of the cleft and well up the hillside . . .
    Before that half of his mind had finished these flesh-and-blood calculations his shadow self had moved him quietly out to the centre of the tunnel and put the pipes to his lips. He drew a calm breath and blew two sharp notes, well apart on the scale, three times repeated. All Deniakis dogs had been trained to the same signals, and since, once trained, they were going to be sold on, Nikos never allowed them to bond to a single man, but got them accustomed to obeying the commands of strangers. This was the Attention call, a musical version of the dog’s Alert. Instantly the dog heaved itself onto its haunches. Its head swung round, ears pricked. Herd dogs have excellent sight, but Steff was some way from the lantern’s dim light and the dog, he now saw, was old. Its movements had been stiff and there was something awkward about its posture, very like Ridiki’s when she was at attention.
    Nevertheless it recognised a stranger, and was about to spring up and rush yelling to the reach of its chain when Steff blew a long, fluttering call— Down. Wait. Be Ready.
    The dog paused, uncertain. He blew the call again. The dog subsided, though still with obvious doubt, and lay with its muzzle on its outstretched forelegs. Its hackles continued to stir as he walked confidently forward, the pipes ready at his lips, but its training held. As he neared he saw why it had so reminded him of Ridiki. The left forepaw—what would have been the hand on a human arm—was missing as far as the wrist. Once well past the dog, he turned and played the first few notes of a local lullaby. Relax. It obeyed, obviously relieved, looking in fact rather pleased with itself at having performed a known task well. It was a nice old dog, he thought, not at all dreadful. And only one head.
    And the same with everything else. The tunnel he was in was now an old mine shaft and nothing more. The dead no longer flooded invisibly along it—it was empty apart from himself. And what he was doing was once again pure, reasonless, dangerous folly. Only the