no known reason.
Poirot gave a little sigh.
He murmured:
âYesâit is all there.â
Blake led the way back. He mumbled:
âNever have understood anything about art myself. Donât know why I like looking at that thing so much, but I do. Itâsâoh, damn it all, itâs good .â
Poirot nodded emphatically.
Blake offered his guest a cigarette and lit one himself. He said:
âAnd thatâs the manâthe man who painted those rosesâthe man who painted the âWoman with a Cocktail Shakerââthe man who painted that amazing painful âNativity,â thatâs the man who was cut short in his prime, deprived of his vivid forceful life all because of a vindictive mean-natured woman!â
He paused:
âYouâll say that Iâm bitterâthat Iâm unduly prejudiced against Caroline. She had charmâIâve felt it. But I knewâI always knewâthe real woman behind. And that woman, Mr. Poirot, was evil. She was cruel and malignant and a grabber!â
âAnd yet it has been told me that Mrs. Crale put up with many hard things in her married life?â
âYes, and didnât she let everybody know about it! Always the martyr! Poor old Amyas. His married life was one long hellâor rather it would have been if it hadnât been for his exceptional quality. His art, you seeâhe always had that. It was an escape. When he was painting he didnât care, he shook off Caroline and her nagging and all the ceaseless rows and quarrels. They were endless, you know. Not a week passed without a thundering row over one thing or another. She enjoyed it. Having rows stimulated her, I believe. It was an outlet. She could say all the hard bitter stinging things she wanted to say. Sheâd positively purr after one of those set-tosâgo off looking as sleek and well-fed as a cat. But it took it out of him. He wanted peaceârestâa quiet life. Of course a man like that ought never to marryâhe isnât out for domesticity. A man like Crale should have affairs but no binding ties. Theyâre bound to chafe him.â
âHe confided in you?â
âWellâhe knew that I was a pretty devoted pal. He let me see things. He didnât complain. He wasnât that kind of man. Sometimes heâd say, âDamn all women.â Or heâd say, âNever get married, old boy. Wait for hell till after this life.ââ
âYou knew about his attachment to Miss Greer?â
âOh yesâat least I saw it coming on. He told me heâd met a marvellous girl. She was different, he said, from anything or anyone heâd ever met before. Not that I paid much attention to that. Amyas was always meeting one woman or other who was âdifferent.â Usually a month later heâd stare at you if you mentioned them, and wonder who you were talking about! But this Elsa Greer really was different. I realized that when I came down to Alderbury to stay. Sheâd got him, you know, hooked him good and proper. The poor mutt fairly ate out of her hand.â
âYou did not like Elsa Greer either?â
âNo, I didnât like her. She was definitely a predatory creature. She, too, wanted to own Crale body and soul. But I think, all the same, that sheâd have been better for him than Caroline. She might conceivably have let him alone once she was sure of him. Or she might have got tired of him and moved on to someone else. The best thing for Amyas would have been to be quite free of female entanglements.â
âBut that, it would seem, was not to his taste?â
Philip Blake said with a sigh:
âThe damned fool was always getting himself involved with some woman or other. And yet, in a way, women really meant very little to him. The only two women who really made any impression on him at all in his life were Caroline and Elsa.â
Poirot said:
âWas he fond of the
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