sureâtalk it overâmake quite certain who could have taken itâ¦â Damned old foolânever made a quick decision in his life! A good thing for him he was the eldest son and has an estate to live on. If heâd ever tried to make money heâd have lost every penny he had.â
Poirot asked:
âYou had no doubt yourself who had taken the poison?â
âOf course not. I knew at once it must be Caroline. You see, I knew Caroline very well.â
Poirot said:
âThat is very interesting. I want to know, Mr. Blake, what kind of a woman Caroline Crale was?â
Philip Blake said sharply:
âShe wasnât the injured innocent people thought she was at the time of the trial!â
âWhat was she, then?â
Blake sat down again. He said seriously:
âWould you really like to know?â
âI would like to know very much indeed.â
âCaroline was a rotter. She was a rotter through and through. Mind you, she had charm. She had that kind of sweetness of manner that deceives people utterly. She had a frail, helpless look about her that appealed to peopleâs chivalry. Sometimes, when Iâve read a bit of history, I think Mary Queen of Scots must have been a bit like her. Always sweet and unfortunate and magneticâand actually a cold calculating woman, a scheming woman who planned the murder of Darnley and got away with it. Caroline was like thatâa cold, calculating planner. And she had a wicked temper.
âI donât know whether theyâve told youâit isnât a vital point of the trial, but it shows her upâwhat she did to her baby sister? She was jealous, you know. Her mother had married again, and all the notice and affection went to little Angela. Caroline couldnât stand that. She tried to kill the baby with a crowbarâsmash its head in. Luckily the blow wasnât fatal. But it was a pretty ghastly thing to do.â
âYes, indeed.â
âWell, that was the real Caroline. She had to be first. That was the thing she simply could not standânot being first. And there was a cold, egotistical devil in her that was capable of being stirred to murderous lengths.
âShe appeared impulsive, you know, but she was really calculating. When she stayed at Alderbury as a girl, she gave us all the once over and made her plans. Sheâd no money of her own. I was never in the runningâa younger son with his way to make. (Funny, that, I could probably buy up Meredith and Crale, if heâd lived, nowadays!) She considered Meredith for a bit, but she finally fixed on Amyas. Amyas would have Alderbury, and though he wouldnât have much money with it, she realized that his talentas a painter was something quite out of the way. She gambled on his being not only a genius but a financial success as well.
âAnd she won. Recognition came to Amyas early. He wasnât a fashionable painter exactlyâbut his genius was recognized and his pictures were bought. Have you seen any of his paintings? Thereâs one here. Come and look at it.â
He led the way into the dining room and pointed to the left-hand wall.
âThere you are. Thatâs Amyas.â
Poirot looked in silence. It came to him with fresh amazement that a man could so imbue a conventional subject with his own particular magic. A vase of roses on a polished mahogany table. That hoary old set piece. How then did Amyas Crale contrive to make his roses flame and burn with a riotous almost obscene life. The polished wood of the table trembled and took on sentient life. How explain the excitement the picture roused? For it was exciting. The proportions of the table would have distressed Superintendent Hale, he would have complained that no known roses were precisely of that shape or colour. And afterwards he would have gone about wondering vaguely why the roses he saw were unsatisfactory, and round mahogany tables would have annoyed him for