Free The Last Hieroglyph by Clark Ashton Smith

luminance thus obtained, the jewelers beheld more clearly the thing that bulked prodigious and monstrous, rearing above them from the fragment-littered floor to the shadowy roof.
    The thing was like some blasphemous dream of a mad devil. Its main portion or body was urn-like in form and was pedestaled on a queerly tilted block of stone at the vault’s center. It was palish and pitted with innumerable small apertures. From its bosom and flattened base many arm-like and leg-like projections trailed in swollen nightmare segments to the ground; and two other members, sloping tautly, reached down like roots into an open and seemingly empty sarcophagus of gilded metal, graven with weird archaic ciphers, that stood beside the block.
    The urn-shaped torso was endowed with two heads. One of these heads was beaked like a cuttle-fish and was lined with long oblique slits where the eyes should have been. The other head, in close juxtaposition on the narrow shoulders, was that of an aged man, dark and regal and terrible, whose burning eyes were like balas-rubies and whose grizzled beard had grown to the length of jungle moss on the loathsomely porous trunk. This trunk, on the side below the human head, displayed a faint outline as of ribs; and some of the members ended in human hands and feet, or possessed anthropomorphic jointings.
    Through heads, limbs and body there ran recurrently the mysterious noise of regurgitation that had drawn Milab and Marabac to enter the vault. At each repetition of the sound a slimy dew exuded from the monstrous pores and rilled sluggishly down in endless drops.
    The jewelers were held speechless and immobile by a clammy terror. Unable to avert their gaze, they met the baleful eyes of the human head, glaring upon them from its unearthly eminence. Then, as the hempen strip in Milab’s fingers burned slowly away and failed to a red smoulder, and darkness gathered again in the vault, they saw the blind slits in the other head open gradually, pouring forth a hot, yellow, intolerably flaming light as they expanded to immense round orbits. At the same time they heard a singular drum-like throbbing, as if the heart of the huge monster had become audible.
    They knew only that a strange horror not of earth, or but partially of earth, was before them. The sight deprived them of thought and memory. Least of all did they remember the story-teller in Faraad, and the tale he had told concerning the hidden tomb of Ossaru and Nioth Korghai, and the prophecy of the tomb’s finding by those who should come to it unaware.
    Swiftly, with a dreadful stretching and straightening, the monster lifted its foremost members, ending in the brown, shrivelled hands of an old man, and reached out toward the jewelers. From the cuttle-fish beak there issued a shrill demonian cackling; from the mouth of the kingly greybeard head a sonorous voice began to utter words of solemn cadence, like some enchanter’s rune, in a tongue unknown to Milab and Marabac.
    They recoiled before the abhorrently groping hands. In a frenzy of fear and panic, by the streaming light of its incandescent orbs, they saw the anomaly rise and lumber forward from its stone seat, walking clumsily and uncertainly on its ill-assorted members. There was a trampling of elephantine pads—and a stumbling of human feet inadequate to bear up their share of the blasphemous hulk. The two stiffly sloping tentacles were withdrawn from the gold sarcophagus, their ends muffled by empty, jewel-sewn cloths of a precious purple, such as would be used for the winding of some royal mummy. With a ceaseless and insane cackling, a malign thundering as of curses that broke to senile quavers, the double-headed horror leaned toward Milab and Marabac.
    Turning, they ran wildly across the roomy vault. Before them, illumined now by the pouring rays from the monster’s orbits, they saw the half-open door of somber metal whose bolts and hinges had rusted away, permitting it to sag inward. The