her own independent production company, it was clear she hadnât forgotten how sheâd started in the business.
Lindsay dumped her case on the floor, not even bothering to open it, and headed back downstairs. There had to be a phone somewhere. She tracked it by the flashing light on the answering machine. A glance at her watch told her it would be just after eight in the morning in San Francisco. She didnât even have to feel guilty about calling too early. On the third ring, a voice said, âHello?â
Foiled in her hope that heâd identify himself, Lindsay blundered on regardless. âHi,â she said cheerfully. âItâs Lindsay here. Sophieâs partner?â
âOh, hello,â said the precise voice she remembered from phone calls sheâd answered previously. âHow are you?â
âIâm fine. And you? Settling in okay?â
âWell . . . Everything was going splendidly and then I had some rather terrible news about . . . well, about our flat and the woman we swapped with.â
âI heard about that,â Lindsay said sympathetically. âThatâs actually why I was ringing, Brian.â Brian! It had suddenly come to her in midsentence. Brian Steinberg, married to an anthropologist called Miriam.
Grinning with relief, Lindsay said, âI know this probably sounds a bit weird, Brian, but did you happen to leave a spare set of keys with anybody when you left?â
âKeys?â he echoed.
âYeah, for the flat.â When in doubt, gabble. It was a lesson Lindsay had learned from Helen years ago, and sheâd just had the refresher course. âThe thing is, Pennyâs girlfriend, Meredith, is in a bit of a state, as you can imagine, and Iâm over here in England with her trying to get things sorted out. You know what itâs like, all the bureaucracy. Anyway, Iâm just trying to sort out the practical stuff, and Pennyâs agent is desperate to get hold of the manuscript of Pennyâs last book, and itâs stuck on the hard disk of her computer, which of course is in the flat, and the police are being really difficult about letting anyone in, so I thought if I could get the keys and just nip in and out . . . I mean, you know me, you know I wouldnât be doing anything I shouldnât be doing . . .â
âI donât know,â he said hesitantly. âIf the police donât want you to go in . . .â
âThereâs no reason for us not to go into the flat. Itâs not as if the police have any objections, itâs just that theyâre being really awkward about fixing up a time when we can go and sort it out. I donât have to tell you about bureaucracy, youâre dealing with American academia.â
âYeah,â he said, with feeling. âOh, I suppose itâll be okay. I canât see any real problem, and the police have had days now to do whatever it is they have to do. I left a spare set with Miriamâs sister. She lives up in Hampstead.â Brian gave Lindsay the address and promised to phone his sister-in-law right away to warn her Lindsay was on her way.
What felt like a lifetime later, Lindsay emerged from the rancid stuffiness of the tube into sunlight at Highbury Corner. Even though it was laden with traffic fumes, the air was still fresh enough to rouse her from the virtually catatonic state sheâd reached underground thanks to the combination of heat, jet lag, lack of oxygen and lack of proper sleep. She hoped her exhaustion wouldnât make her miss anything in the flat. Probably it could have waited till the following day, but Lindsay had never liked leaving till tomorrow what could be thrashed out today. Besides, this was a good time to make an unauthorized entry. At the end of the working day, all sorts of people
were going in and out of buildings where they didnât necessarily live.
To guard against her potential for carelessness, she
Lessil Richards, Jacqueline Richards