the park.
En route, I considered Mr. Wallace: a chunky, paunchy booze-puffed runt with a play mustache glued above laconic lips. Time had interred his looks, for he used to be reasonably presentable; nevertheless, I had recognized him immediately, even though I’d seen him only once before, and that some ten years earlier. But I remembered that former glimpse of him distinctly, for at that time he was the most acclaimed American playwright, and in my opinion the best; also, the curious
mise-en-scène
contributed to my memory: it was after midnight in Paris in the bar of the Boeuf-sur-le-Toit, where he was sitting at a pink-clothed table with three men, two of them expensive tarts, Corsican pirates in British flannel, and the third none other than Sumner Welles—fans of
Confidential
will remember the patrician Mr. Welles, former Undersecretary of State, greatand good friend of the Brotherhood of Sleeping Car Porters. It made rather a tableau, one especially
vivant
, when His Excellency, pickled as brandied peaches, began nibbling those Corsican ears.
Autumn strollers eased along the park’s evening paths. A Nipponese couple paused to spend affection on Bill; in a way they went out of their minds, tugging his twisted tail, hugging him—I could understand it because Bill, with his indented face and Quasimodo legs, his intricately contorted physique, was an object as appealing to an Oriental sense of the aesthetic as bonsai trees and dwarf deer and goldfish bred to weigh five pounds. However, I myself am not Oriental, and when Bill, after luring me onto the grass and under a tree, suddenly again sexually attacked me, I was not appreciative.
Being no match for so determined a rapist, it was expedient just to lie back on the grass and let him have his way—even encourage him: “That’s it, baby. Give it to me good. Get your rocks off.” We had an audience—human faces bobbed in the distance beyond my frolicking lover’s bulging passion-doped eyes. Some woman harshly said: “You filthy degenerate! Stop abusing that animal! Why doesn’t anybody call a policeman?” Another woman said: “Albert, I want to go back to Utica. Tonight.” With slobbering gasps, Bill crossed his chest.
My drenched Robert Hall trousers were not Bill’s only offense against me ere the eve was o’er. When I returned him to the Plaza and entered the foyer of the suite, I stepped into a big pile of wet shit, Bill’s shit, and skidded and fell flat on my face—into a
second
pile of shit. All I said to Mr. Wallace was: “Do you mind if I take a shower?” He said: “I always insist on that.”
However, as Miss Self had suggested, Mr. Wallace, like Denny Fouts, was more conversationalist than sensualist.“You’re a good kid,” he advised me. “Oh, I know you’re no kid. I’m not that drunk. I can see you got mileage on you. But never mind, you’re a good kid; it’s in your eyes. Wounded eyes. Injured and insulted. Read Dostoevski? Well, I guess that’s not your racket. But you’re one of his people. Insulted and injured. Me too; that’s why I feel safe with you.” He rolled his eyes around the lamplit bedroom like an espionage agent; the room looked as if a Kansas twister had just gone through—messy laundry everywhere, dog shit all over the place, and drying puddles of dog piss marking the rugs. Bill was asleep at the foot of the bed, his snores exuding postcoital melancholy. At least he allowed his master and his master’s guest to share the bed a bit, the guest naked but the master fully dressed, down to black shoes and a vest with pencils in the pocket and a pair of horn-rimmed glasses. In one hand Mr. Wallace gripped a toothpaste glass brimming with undiluted Scotch and in the other a cigar that kept accumulating trembling lengths of ash. Occasionally he reached to stroke me, and once the hot ash singed my navel; I thought it was on purpose, but decided perhaps not.
“As safe as a hunted man can feel. A man with
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