worse:
Politicians put their heads together when they had to, Fredric March
And Franchot Tone gave their speeches about democracy and shared values
In Seven Days in May and Advise and Consent , and we muddled through.
Everett Dirksen, Jacob Javits, Charles Percyâremember them?
They werenât eggheads or Democrats (let alone beatniks), yet they could
Talk to eggheads and Democrats (Iâm not sure about beatniks),
And sometimes even agreed with them. It was such an innocent time,
Even if it didnât seem particularly innocent at the time, yet a time
That sowed the seeds of its own undoing. I used to listen to the radio,
Curious as to what the right was on about now, but Iâm not curious anymore,
Just apprehensive about the future. Iâd rather listen to âTake Fiveâ
Or watch another movie, secure in the remembrance of my own complacency,
The complacency of an age that everyone thought would last forever
âAs indeed it has, but only in the imagination of a past that feels fainter
And fainter as I write, more and more distant from a bedroom where I lie awake
Remembering Sputnik and piano lessons, bongo drums and beatniks, quaint
Old-fashioned Republicans and Democrats and those eggheads of yore.
from The Virginia Quarterly Review
DOROTHEA LASKY
Poem for Anne Sexting
Beautiful Anne
I had not seen you for so long
But then I saw you again
In the form
Was it Angelo?
What was his name? The other man.
But that wasnât him
What story is it that will be the real one?
Icy eyes and the smoothest skin
Thatâs the way I remember you
On walks to the hospital
Light gold suitcase in tow
She too had your skin
Clear and faintly rosy
Immaculate also in white dress
With black headband
The other Anne had kohl-lined eyes yes
Below electric eel lids, Deco crystal cuff on right arm
She sipped her words
Almost Cleopatra
The lamplight on that face
To say the thing I couldnât
To say the word
I couldnât say
You wore the blackest clips in your short hair
I saw a pantoum leg across the table from mine
Anne Sexton, your black hair is always in my memory
To see it shine along winter seascape
While I bit your black heart
No you bit mine
No not black
What bit
Your heart was as red as anything
Although even the other Anneâs lips parted were not red
No no they were blue
No no green
No not that. They were mine.
from Conduit
DORIANNE LAUX
Song
Let me sing, dear heart,
in these dark hours.
Let me suck the chilled wind
through the spaces
between my teeth.
Let me follow you
past the trashcans
stuffed with oily rags
as you strain under
the awkward weight
of the metal ladder
and traipse the perimeter
of the house, lean it
against the roof
where it will sing
in the weak, brief sun,
rung by tin rung,
and Iâll hold it steady
while you climb,
my beloved, to the gutters
of dead leaves, sodden
by rain, swarming
with worms and bird droppings,
and scoop them
in your gloved hands
like a wild-haired surgeon
excising gobbets of decay,
pulling the dark muck up,
proffering it, glistening,
to the light, before christening it
a clogful, burning, hurtful stuff,
and flinging the muddied clump
with a delirious thud
onto the bright new grass.
Let me sing of your strong, wide back
and bucktoothed grin,
your threadbare jeans
that slip down your hips
with each stretch and reach
of the clustered muscles
beneath your scarred arms.
I could drown in joy.
Time is no friend. I canât
love you more and so,
my Ascension angel,
my husband, my hinged window,
my triptych, my good right side,
my open door, my bowl
of foreign coins, let me praise
your raised fist
gripping the slick layers
of our falls, our winters,
the fires you will build
from windfall branches,
the thousands of suppers
we will share without speaking
in front of the TV, our bodies
dropped like rag dolls
onto the torn velvet couch,
my hand on your bent