Free How Shall I Know You? by Hilary Mantel

One summer at the fag end of the nineties, I had to go out of London to talk to a literary society, of the sort that must have been old-fashioned when the previous century closed. When the day came, I wondered why I’d agreed to it; but yes is easier than no, and of course when you make a promise you think the time will never arrive: that there will be a nuclear holocaust, or something else diverting. Besides, I had a sentimental yearning for the days of self-improvement; they were founded, these reading clubs, by master drapers and their shopgirl wives; by poetasting engineers, and uxorious physicians with long winter evenings to pass. Who keeps them going these days?
    I was leading at the time an itinerant life, struggling with the biography of a subject I’d come to dislike. For two or three years I’d been trapped into a thankless cycle of picking up after myself, gathering in what I’d already gathered, feeding it onto computer disks that periodically erased themselves in the night. And I was forever on the move with my card indexes and my paper clips, and my cheap notebooks with their porous, blotchy pages. It was easy to lose these books, and I left them in black cabs or in the overhead racks of trains, or swept them away with bundles of unread newspapers from the weekends. Sometimes it seemed I’d be forever compelled to retrace my own steps, between Euston Road and the newspaper collections, which in those days were still in Colindale; between the rain-soaked Dublin suburb where my subject had first seen the light and the northern manufacturing town where—ten years after he ceased to be use or ornament—he cut his throat in a bathroom of a railway hotel. “Accident,” the coroner said, but there’s a strong suspicion of a cover-up; for a man with a full beard, he must have been shaving very energetically.
    ***
    I WAS LOST and drifting that year, I don’t deny it. And as my bag was always packed, there was no reason to turn down the literary society. They would ask me, they said, to give their members a snappy summary of my researches, to refer briefly to my three short early novels, and then answer questions from the floor: after which, they said, there would be a Vote of Thanks. (I found the capitals unsettling.) They would offer a modest fee—they said it—and lodge me for bed and breakfast at Rosemount, which was quietly situated, and of which, they said enticingly, I would find a photograph enclosed.
    This photograph came in the secretary’s first letter, double-spaced on small blue paper, produced by a typewriter with a jumping
h
. I took Rosemount to the light and looked at it. There was a suspicion of a Tudor gable, a bay window, a Virginia creeper—but the overall impression was of blurring, a running of pigment and a greasiness at the edges, as if Rosemount might be one of those ghost houses that sometimes appear at a bend in the road, only to melt away as the traveler limps up the path.
    So I was not surprised when another blue letter came, hiccupping in the same way, to say that Rosemount was closing for refurbishments and they would be obliged to use Eccles House, convenient for the venue and they understood quite reputable. Again, they enclosed a photograph: Eccles House was part of a long white terrace, four stories high, with two surprised attic windows. I was touched that they felt they ought to illustrate the accommodation in this way. I never cared where I stayed as long as it was clean and warm. I had often, of course, stayed in places that were neither. The winter before there had been a guesthouse in a suburb of Leicester, with a smell so repellent that when I woke at dawn I was unable to stay in my room for longer than it took me to dress, and I found myself, long before anyone else was awake, setting my booted feet on the slick wet pavements, tramping mile after mile down rows of semidetached houses of blackening pebbledash, where the