Free Red Grow the Roses by Janine Ashbless Page B

the results. It’s not going to be made public until tomorrow, of course, but a silence falls over those of us gathered in City Hall as the phones ring and the same message is relayed from ward after ward. It’s always harder for the sitting candidate to win, of course, and we’re not entirely surprised.
    I leave the scrum of officials and PR men and activists and head upstairs, wanting to be on my own. The top floor has a famously good 360-degree view of the City from its conference suite: this isn’t the mayor’s gracious official residence but a modern oblate high-rise that squats on the north bank of the river, an architect’s wet dream of steel and glass. The windows run floor to ceiling on the top storey. I stand in the unlit room, looking out over a landscape as darkly glittering and beautiful as the bottom of the sea, the outlines of water and stone picked out only by the phosphorescent glow of individual lights, the sky as opaque and starless as if it’s a mile of water pressing down upon us. The creep of car headlights brings to mind the gleam of bottom-feeding crustacea.
    I feel the numb ache of defeat in every fibre of my body. In days I’ll be out of a job. Perhaps it’s a good thing I’ve not been able to give Penny a child; we’re going to need her income. Hah. There’s cold comfort for you. I’m a failure, let’s face it. Unable to do my job and sway the pendulum of political opinion, unable to provide for my family, unable even to father a baby – that simplest of biological functions. Isn’t the most primal and basic goal of all life to replicate itself? Isn’t that what we’re designed for? Even microbes can reproduce, but not me.
    My cell phone rings, making me quiver. It’s Penny. I don’t take the call. As silence returns I move over to the room’s environmental control panel next to the elevator, and turn on the lights.
    Instantly the night outside vanishes, the windows becoming mirrors.
    She’s there, waiting for me. I’m cerebrally intrigued to see that she’s only reflected in one of the angled panes, even though I’m visible in several. Her long hair is fox-red now, after days of feeding from me. There is even a hint of colour in her cheeks.
    Gracefully, almost idly, she circles my reflection and, as I watch, begins to dance. It’s strange to see her brushing up against me, draping her arms about my neck, rubbing her rear into my crotch – all without me being able to feel a thing. The tease is entirely visual. Each flick of her hips makes the blood surge in my veins. Each jiggle of her breasts makes my need grow. But I feel oddly discomfited in the midst of my fascination, as if I’m jealous of my own reflection. I move my hands, trying to interact with her dance, and she laughs silently as my mirrored self moves too, clumsily encircling her undulating hips. Turning in my arms she grasps the front of my shirt and tears it open.
    My real shirt, the one on my material body, remains unscathed. The one in the reflection is shredded and my chest revealed. The look of confusion on my face is comic. She’s mocking me, I suspect – mocking my desire to rationalise, at any rate. She rakes her nails across my bare skin and my reflection bleeds, yet I feel nothing. She shreds my trousers – effortlessly; her nails must be sharp as knives – and squirms her pert little rump against me.
    â€˜Come here,’ I say hoarsely. ‘Come on out.’
    Her eyes lift and meet mine, looking straight out from the glass, her lips forming a smile so wanton that it makes my cock stiffen all on its own. Then she abandons my reflected self and walks out from the mirrored room into the material one. Her feet make no sound on the carpet, of course, but I feel the caress of the cold air that surrounds her. I take a deep breath as she closes on me, lays a slender hand on my breastbone, and then