20,000 Leagues Under the Sea

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Authors: Jules Verne
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wish to think that men no longer think or write. These books, Professor, are at your service besides, and you can make use of them freely.”
    I thanked Captain Nemo, and went up to the shelves of the library. Works on science, morals, and literature abounded in every language; but I did not see one single work on political economy; that subject appeared to be strictly proscribed. Strange to say, all these books were irregularly arranged, in whatever language they were written; and this medley proved that the Captain of the Nautilus must have read indiscriminately the books which he took up by chance.
    “Sir,” said I to the Captain, “I thank you for having placed this library at my disposal. It contains treasures of science, and I shall profit by them.”
    “This room is not only a library,” said Captain Nemo, “it is also a smoking-room.”
    “A smoking-room!” I cried. “Then one may smoke on board?”
    “Certainly.”
    “Then, sir, I am forced to believe that you have kept up a communication with Havannah.”
    “Not any,” answered the Captain. “Accept this cigar, M. Aronnax; and, though it does not come from Havannah, you will be pleased with it, if you are a connoisseur.”
    I took the cigar which was offered me; its shape recalled
the London ones, but it seemed to be made of leaves of gold. I lighted it at a little brazier, which was supported upon an elegant bronze stem, and drew the first whiffs with the delight of a lover of smoking who has not smoked for two days.
    “It is excellent, but it is not tobacco.”
    “No!” answered the Captain, “this tobacco comes neither from Havannah nor from the East. It is a kind of seaweed, rich in nicotine, with which the sea provides me, but somewhat sparingly.”
    At that moment Captain Nemo opened a door which stood opposite to that by which I had entered the library, and I passed into an immense drawing-room splendidly lighted.
    It was a vast, four-sided room, thirty feet long, eighteen wide, and fifteen high. A luminous ceiling, decorated with light arabesques, shed a soft clear light over all the marvels accumulated in this museum. For it was in fact a museum, in which an intelligent and prodigal hand had gathered all the treasures of nature and art, with the artistic confusion which distinguishes a painter’s studio.
    Thirty first-rate pictures, uniformly framed, separated by bright drapery, ornamented the walls, which were hung with tapestry of severe design. I saw works of great value, the greater part of which I had admired in the special collections of Europe, and in the exhibitions of paintings.
    Some admirable statues in marble and bronze, after the finest antique models, stood upon pedestals in the corners of this magnificent museum. Amazement, as the Captain of the Nautilus had predicted, had already begun to take possession of me.
    “Professor,” said this strange man, “you must excuse the unceremonious way in which I receive you, and the disorder of this room.”
    “Sir,” I answered, “without seeking to know who you are, I recognise in you an artist.”
    “An amateur, nothing more, sir. Formerly I loved to collect these beautiful works created by the hand of man. I
sought them greedily, and ferreted them out indefatigably, and I have been able to bring together some objects of great value. These are my last souvenirs of that world which is dead to me. In my eyes, your modern artists are already old; they have two or three thousand years of existence; I confound them in my own mind. Masters have no age.”
    Under elegant glass cases, fixed by copper rivets, were classed and labelled the most precious productions of the sea which had ever been presented to the eye of a naturalist. My delight as a professor may be conceived.
    Apart, in separate compartments, were spread out chaplets of pearls of the greatest beauty, which reflected the electric light in little sparks of fire; pink pearls, torn from the pinna-marina of the Red Sea;

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