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seemed now in danger of reaching a complete full stop, for only the surviving Richard, the absent John, and the infant Livia could claim direct descent from the original Channing and Felsby who had built up the firm. The last of the Felsbys could not forgive the last of the John Channings—not so much on personal grounds (for Richard, disliking John’s newfangled business ideas long before the crash came, had dissolved partnership and retired a rich man), but because of the disgrace to the Channing name in a world that still associated a Channing with a Felsby. It was said that the trial and the scandal connected with it had aged Richard considerably, and if so, there were many in Browdley who wished it had done more, for the old man was generally disliked. When younger he had been against drinking, smoking, gambling, dancing, and theatergoing (anything, indeed, that might lessen the weekday efficiency of his employees); but of later years he had mellowed to the extent that he only scowled wordlessly if he came across Livia sewing or reading a novel during one of his Sunday visits. He did not much care for Emily, though he felt he ought to keep an eye on her; he was disappointed in Livia, because she was not a boy to carry on and rehabilitate the Channing name; and, as before remarked, he could not forgive John. But he was old enough both to remember and to revere the memory of John’s father, who had died some years before the turn of the century. Friend, partner, and contemporary, this earlier John had been, in Richard’s opinion, the last of the “good” Channings; and it was for his sake, chiefly, that the old man now visited Stoneclough.
    Besides being thus a tribute to the dead, the weekly visits were an undoubted trial to the living, for Richard honestly believed he conferred great benefits by patting Livia on the head and by discussing the state of the cotton trade in a loud voice with Emily. He discussed this because, with Livia hovering about, and in his usual mood by the time he arrived at the house, it was practically the only thing he dared discuss; for Dr. Whiteside had warned him against undue excitement, however caused. If he had anything to say about John he would therefore take Emily into a corner for a session of mysterious sibilant whispering, and sometimes in the middle of this Livia would burst into the room, whereupon Richard would boom out again about the state of the cotton trade. After this sort of thing had happened a few times Livia grew convinced that there was a “mystery” about her mother and old Mr. Felsby, and once the idea got into her head she was quick to notice other evidences of mystery—certain occasions, for instance, just before and just after her mother went away for a few days, when a curious air of tension filled the entire house, when even Sarah and Miss Fortescue seemed to rush from room to room with secrets as well as pins filling their mouths. Livia noted too the almost guilty look they had if she interrupted them at such times; it made her determined to discover what everything was all about, like the detective in some of her favorite stories. Actually “the Mystery of Stoneclough” (as she privately decided to call it) gave her an added interest in life, since it was clearly more exciting to live in a detective story than merely to read one, especially when the detective was herself. For that matter, she sometimes imagined she was the criminal also, or the suspected person who was really innocent, or the stupid policeman who made all the mistakes, or any other of the familiar characters…it was so easy, and so fascinating, to climb on the moors and lie down and imagine things.
    On the afternoon of Christmas Day, 1910, Livia entered the drawing room just in time to catch Mr. Felsby inveighing against “any man who makes a proposal of that kind.” In truth, there was nothing particularly mysterious about the words, since they referred to the wickedness of the