Barracoon

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Authors: Zora Neale Hurston
keep warm, you unnerstand me. De nexy day, she say ‘Cudjo, come on less we go see our chilluns grave. So I say yes, but I try not take her ’cause I ’fraid she worry ’bout dem. So I go in de church and makee lak I busy so she furgitee de graveyard. When I come out de church, I don’t see her nowhere, so I look cross de hill and I see her in de family lot. I see Seely goin’ from one her chillun grave to de other, lak she cover dem up wid mo’ quilts.
    â€œDe nexy week my wife lef’ me. Cudjo doan know. She ain’ been sick, but she die. She doan want to leave me. She cry ’cause she doan want me be lonesome. But she leave me and go where her chillun. Oh Lor’! Lor’! De wifeshe de eyes to de man’s soul. How kin I see now, when I ain’ gottee de eyes no mo’?
    â€œDe nexy month my Aleck he die. Den I jes lak I come from de Afficky soil. I got nobody but de daughter-in-law, Mary, and de grandchillun. I tellee her she my son’s wife so she stay in de compound and she take de land when I go wid Seely and our chillun.
    â€œOle Charlie, he de oldest one come from de Afficky soil. One Sunday after my wife left me he come wid all de others dat come cross de water and say, ‘Uncle Cudjo, make us a parable.’
    â€œâ€˜Well den,’ I say, ‘You see Ole Charlie dere. S’pose he stop here on de way to church. He got de parasol ’cause he think it gwine rain when he leave de house. But he look at de sky and ’cide hit ain’ gwine rain so he set it dere by de door an’ go on to church. After de preachin’ he go on home ’cause he think de parasol at Cudjo house. It safe. He say, “I git it nexy time I go dat way.” When he come home he say to one de chillun, “Go to Cudjo house and tellee him I say sendee me my parasol.”
    â€œâ€˜De parasol it pretty. I likee keep dat one.’ But I astee dem all, ‘Is it right to keep de parasol?’ Dey all say, ‘No it belong to Charlie.’
    â€œâ€˜Well,’ I say, ‘my wife, she b’long to God. He lef’ her by my door.’
    â€œI ’preciate my countrymen dey come see me when dey know I lonely. Another time dey come to me and say, ‘Uncle Cudjo, make us another parable.’
    â€œI bow my head in my hands, den I lift it up again. (Characteristic gesture when he begins a story.) Den Italk. ‘I doan know—me and my wife, we been ridin. I think we go to Mt. Vernon. De conductor go to her and say, “Ole Lady, where you goin’ get off?” She say, “Plateau.”’
    â€œâ€˜I look at her. I say, “How you say you goin’ get off at Plateau? I thought you goin’ to Mount Vernon wid me.”’
    â€œâ€˜She shake her head. She say, “I doan know. I jes know I git off at Plateau. I doan wanna leave you, but I got to git off at Plateau.”’
    â€œâ€˜De conductor blow once. He blow twice, and my wife she say, “Goodbye, Cudjo. I hate to leave you.” But she git off at Plateau. De conductor come to me and astee, “Ole man, where you goin’ git off?”’
    â€œâ€˜I say, “Mount Vernon.”’
    â€œI travelling yet. When I git to Mount Vernon, I no talk to you no mo’.”
    I had spent two months with Kossula, who is called Cudjo, trying to find the answers to my questions. Some days we ate great quantities of clingstone peaches and talked. Sometimes we ate watermelon and talked. Once it was a huge mess of steamed crabs. Sometimes we just ate. Sometimes we just talked. At other times neither was possible, he just chased me away. He wanted to work in his garden or fix his fences. He couldn’t be bothered. The present was too urgent to let the past intrude. But on the whole, he was glad to see me, and we became warm friends.
    At the end the bond had become strong enough for him to wish to follow me to New York. It was a

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