âDid James tell you about tomorrow?â
âHe did say there was some sort of excursionâa picnic, I think. I am not sure if I am invited, though.â
âOf course youâre invited. Iâm inviting you.â
âOh. Can you do that?â
âI think youâll find I can do whatever I want, and I usually do.â
âBecause the Consul is your mother?â Cordelia said.
He raised an eyebrow.
âIâve always hoped to meet her,â Cordelia said. âIs she here tonight?â
âNo, sheâs in Idris,â he said, with a gracious half shrug. âShe left a few days ago. Itâs unusual for the Consul to live in Londonâsheâs rarely here. The Clave requires her.â
âOh,â said Cordelia, struggling to hide her disappointment. âHow long will she beââ
Matthew spun her in a surprising twirl that left the other dancers looking at them in puzzlement. âYou will come to the picnic tomorrow, wonât you?â he said. âIt will keep Lucie amused while James moons after Grace. You want Lucie to be happy, donât you?â
âOf course I doââ Cordelia began, and then, glancing around, realized that she had not seen Lucie in some time. No matter how she craned her head and searched among the dancers, she did not see her friendâs blue dress, or the glint of her brown hair. Puzzled, she turned to Matthew. âBut where is she? Where did Lucie go?â
3 T HIS L IVING H AND
This living hand, now warm and capable
Of earnest grasping, would, if it were cold
And in the icy silence of the tomb,
So haunt thy days and chill thy dreaming nights
That thou would wish thine own heart dry of blood
So in my veins red life might stream again.
âJohn Keats, âThis Living Handâ
It was a bit like the moment in a dream where one realized one was dreaming, only in reverse. When Lucie saw the boy from the forest come into the ballroom, she assumed she was dreaming, and only when her parents began to hurry over toward him and his two companions did she realize that she wasnât.
In a daze, she pushed through the crowd toward the ballroom doors. As she neared her parents, she recognized the woman they were speaking to, her taffeta dress stretched across bony arms and shoulders, her oversize hat covered with lace, tulle, and a memorable stuffed bird. Tatiana Blackthorn.
Lucie had always been a bit frightened of Tatiana, especially when she had come to their house, demanding that James cut thethorns from her gates. She remembered her as a sort of towering skeleton, but with the passage of years, it seemed that Tatiana had shrunk: still tall, but no longer a giant.
And there beside her was Grace. Lucie recalled her as a determinedly poised child, but she was quite different now. Cold and lovely and statuesque.
But Lucie barely spared them a glance. She was staring at the boy who had come in with them. The changeling boy she had last seen in Brocelind Forest.
He had not altered at all. His hair was still a black spill over his forehead, his eyes the same eerie green. He wore the same clothes he had in the forest: dark trousers and an ivory shirt whose sleeves had been rolled up above his elbows. It was very odd attire for a ball.
He was watching as Tessa and Will greeted Tatiana and Grace, Will bending to kiss Graceâs satin-gloved hand. Oddly, neither of them greeted the boy. As Lucie neared them, her brows drew down into a frown. They were speaking to each other, ignoring him entirely, talking through him as if he werenât there. How could they be so rude?
Lucie hurried forward, her mouth opening, her gaze fixed on the boy, her boy, her boy from the forest. He raised his head and saw her looking, and to her astonishment, a look of horror passed over his face.
She stopped dead. She could see James making his way through the crowd toward them somewhere in the distance, but the boy was
J.A. Konrath, Bernard Schaffer