Free Where the Crawdads Sing by Delia Owens

her, “Whatcha doin’? C’mon, we gotta git outta here. Tide’s goin’ out.” Kya turned and followed, and as they steered home to the marsh, she saw the curls and eyes of mother and child.
    Pa still disappeared some, not coming back for several days, but not as often as before. And when he did show up, he didn’t collapse in a stupor but ate a meal and talked some. One night they played ginrummy, he guffawing when she won, and she giggling with her hands over her mouth like a regular girl.
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    E ACH TIME K YA STEPPED off the porch, she looked down the lane, thinking that even though the wild wisteria was fading with late spring and her mother had left late the previous summer, she might see Ma walking home through the sand. Still in her fake alligator heels. Now that she and Pa were fishing and talking, maybe they could try again to be a family. Pa had beat all of them, mostly when he was drunk. He’d be all right for a few days at a time—they would eat chicken stew together; once they flew a kite on the beach. Then: drink, shout, hit. Details of some of the bouts were sharp in her mind. Once Pa shoved Ma into the kitchen wall, hitting her until she slumped to the floor. Kya, sobbing for him to quit, touched his arm. He grabbed Kya by the shoulders, shouted for her to pull down her jeans and underpants, and bent her over the kitchen table. In one smooth, practiced motion he slid the belt from his pants and whipped her. Of course, she remembered the hot pain slicing her bare bottom, but curiously, she recalled the jeans pooled around her skinny ankles in more vivid detail. And Ma crumpled into the corner by the cookstove, crying out. Kya didn’t know what all the fighting was about.
    But if Ma came back now, when Pa was acting decent, maybe they could start over. Kya never thought it would be Ma who left and Pa who stayed. But she knew her mother wouldn’t leave her forever; if she was out there somewhere in the world, she’d come back. Kya could still see the full, red lips as Ma sang to the radio, and hear her words, “Now listen close to Mr. Orson Welles; he speaks proper like a gentleman. Don’t ever say ain’t , it isn’t even a word.”
    Ma had painted the estuaries and sunsets in oils and watercolors so rich they seemed peeled from the earth. She had brought some art supplies with her and could buy bits and pieces at Kress’s Five and Dime. Sometimes Ma had let Kya paint her own pictures on brown paper bags from the Piggly Wiggly.
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    I N EARLY S EPTEM BER of that fishing summer, on one afternoon that paled with heat, Kya walked to the mailbox at the end of the lane. Leafing through the grocery ads, she stopped dead when she saw a blue envelope addressed in Ma’s neat hand. A few sycamore leaves were turning the same shade of yellow as when she left. All that time without a trace and now a letter. Kya stared at it, held it to the light, ran her fingers across the slanted, perfect script. Her heart banged against her chest.
    “Ma’s alive. Living somewhere else. Why hasn’t she come home?” She thought of tearing the letter open, but the only word she could read for sure was her name, and it was not on the envelope.
    She ran to the shack, but Pa had motored somewhere in the boat. So she propped the letter against the saltshaker on the table where he’d see it. As she boiled black-eyed peas with onions, she kept an eye on the letter lest it disappear.
    Every few seconds, she ducked to the kitchen window to listen for the boat’s whirr . Then suddenly Pa was limp-walking up the steps. All courage left her, and she dashed past him, hollering that she was going to the outhouse; supper would be ready soon. She stood inside the smelly latrine, her heart running races to her stomach. Balancing on the wooden bench, she watched through the quarter-moon slit in the door, not knowing exactly what she expected.
    Then the porch door slammed, and she saw Pa