Iâve placed
a few on public display. Needless to say, the placards make no mention of their provenance.â
âAnd the rest?â
âYour friend General Ferrari was good enough to take it off my hands. He was very discreet, which is unusual for him. The general likes good publicity.â She looked at Gabriel with genuine gratitude. âI suppose I have you to thank for that. If it hadbecome public that my husband controlled the global trade in looted antiquities, my career would have been destroyed.â
âWe all have our secrets.â
âYes,â she said distantly. âI suppose we do.â
Veronica Marcheseâs other secret waited in her formal drawing room, dressed in a cassock and a simar. Music played softly
in the background. It was Mendelssohnâs Piano Trio no. 1 in D Minor. The key of repressed passion.
Donati opened a bottle of prosecco and poured four glasses.
âYouâre rather good at that for a priest,â said Gabriel.
âIâm an archbishop, remember?â
Donati carried one of the glasses to the brocade-covered chair in which Veronica had settled. A trained observer of human
behavior, Gabriel knew an intimate gesture when he saw one. Donati was clearly comfortable in Veronicaâs drawing room. Were
it not for the cassock and simar, a stranger might have presumed he was the man of the palazzo.
He sat down in the chair next to her, and an awkward silence ensued. Like an uninvited dinner guest, the past had intruded.
For his part, Gabriel was thinking about his last encounter with Veronica Marchese. They were in the Sistine Chapel, just
the two of them, standing before Michelangeloâs Last Judgment . Veronica was describing for Gabriel the life that awaited Donati when the Ring of the Fisherman was removed from Pietro
Lucchesiâs finger for the last time. A teaching position at a pontifical university, a retirement home for aging priests. So lonely. So terribly sad and lonely . . . It occurred to Gabriel that Veronica, widowed and available, might have other plans.
At length, she complimented Chiara on her dress and pearls. Then she asked about the children and about Venice beforelamenting the condition into which Rome, once the center of the civilized world, had fallen. These days, it was a national obsession. Eighty percent of the cityâs streets were riddled with unrepaired potholes, making driving, even walking, a perilous undertaking. Children carried toilet paper in their bookbags because the school bathrooms had none. Romeâs buses ran perpetually behind schedule, if at all. An escalator at a busy subway stop had recently amputated the foot of a tourist. And then, said Veronica, there were the overflowing dumpsters and mounds of uncollected rubbish. The most popular website in the city was Roma Fa Schifo, âRome Is Gross.â
âAnd who is to blame for this deplorable state of affairs? A few years ago, Romeâs chief prosecutor discovered that the Mafia
had gained control of the municipal government and was steadily draining the cityâs finances. A Mafia-owned company was awarded
the contract to collect the garbage. The company didnât bother to collect garbage, of course, because doing so would cost
money and reduce its profit margin. The same was true of street repairs. Why bother to repair a pothole? Repairing potholes
costs money.â Veronica shook her head slowly. âThe Mafia is Italyâs curse.â Then, with a glance at Gabriel, she added, âMine,
too.â
âIt will all be better now that Saviano is prime minister.â
Veronica made a face. âHave we learned nothing from the past?â
âApparently not.â
She sighed. âHe visited the museum not long ago. He was perfectly charming, as most demagogues are. Itâs easy to see why he appeals to Italians who donât live in palazzos near the Via Veneto.â She