now.â
âFrancona and Brady are the least of our problems.â
The simple wooden armchair into which Albanese lowered himself groaned beneath his weight. âIs there any sign of the Janson
boy?â
Richter shook his head.
âHe was obviously distraught that night. Itâs possible he took his own life.â
âWe should be so lucky.â
âSurely you donât mean that, Excellency. If Janson committed suicide, his soul would be in grave peril.â
âIt already is.â
âAs is mine,â said Albanese quietly.
Richter placed a hand on the camerlengoâs thick shoulder. âI granted you absolution for your actions, Domenico. Your soul
is in a state of grace.â
âAnd yours, Excellency?â
Richter removed his hand. âI sleep well at night knowing that in a few daysâ time, the Church will be in our control. I will allow no one to stand in our way. And that includes a pretty little peasant boy from Canton Fribourg.â
âThen I suggest you find him, Excellency. The sooner the better.â
Bishop Richter smiled coldly. âIs that the type of incisive and analytical thinking you intend to bring to the Secretariat
of State?â
Albanese suffered the rebuke from his superior general in silence.
âRest assured,â said Bishop Richter, âthe Order is using all of its considerable resources to find Janson. Unfortunately,
we are no longer the only ones looking for him. It appears Archbishop Donati has joined the search.â
âIf we canât find Janson, what hope does Donati have?â
âDonati has something much better than hope.â
âWhatâs that?â
Bishop Richter gazed at the dome of the basilica. âGabriel Allon.â
11
Via Sardegna, Rome
The palazzo was often mistaken for an embassy or a government ministry, for it was surrounded by a formidable steel fence and watched over
by an array of outward-aimed security cameras. A Baroque fountain splashed in the forecourt, but the two-thousand-year-old
Roman statue of Pluto that had once adorned the entrance hall was absent. In its place stood Dr. Veronica Marchese, director
of Italyâs National Etruscan Museum. She wore a stunning black pantsuit and a thick band of gold at her throat. Her dark hair
was swept straight back and held in place by a clasp at the nape of her neck. A pair of catâs-eye spectacles gave her a faintly
academic air.
Smiling, she kissed Chiara on both cheeks. She offered Gabriel only her hand, guardedly. âDirector Allon. Iâm so pleasedyou were able to come. Iâm only sorry we didnât do this a long time ago.â
The ice broken, she led them along a gallery hung with Italian Old Master paintings, all of museum quality. The works were
but a small portion of her late husbandâs collection.
âAs you can see, Iâve made a few changes since your last visit.â
âSpring cleaning?â asked Gabriel.
She laughed. âSomething like that.â
The exquisite Greek and Roman statuary that once had lined the gallery was gone. Carlo Marcheseâs business empire, nearly
all of it illegitimate, had included a brisk international trade in looted antiquities. One of his main partners had been
Hezbollah, which supplied Carlo with a steady stream of inventory from Lebanon, Syria, and Iraq. In return, Carlo filled Hezbollahâs
coffers with hard currency, which it used to purchase weapons and fund terrorism. Gabriel had taken down the network. Then,
after making a remarkable archaeological discovery one hundred and sixty-seven feet beneath the surface of the Temple Mount,
he had taken down Carlo.
âA few months after my husbandâs death,â Veronica Marchese explained, âI quietly disposed of his personal collection. I gave
the Etruscan pieces to my museum, which is where they belonged in the first place. Most are still in storage, but