were neighbors?
Still, it made an impression.
The knock comes again. This time I hear the authority in it. I realize my mistake. Of course it isnât him . . . that would
be impossible.
When I open the door, there she stands on the other side: Sophie Meunier. Madame to me. In all her finery: the elegant beige
coat, the shining black handbag, the gleaming black helmet of her hair, the silk knot of her scarf. Sheâs part of the tribe
of women you see walking the smarter streets of this city, with shopping bags over their arms made from stiff card with gilded
writing, full of designer clothes and expensive objets . A little pedigree dog at the end of a lead. The wealthy husbands with their cinq-à -sept affairs, the grand apartments and white, shuttered holiday homes on the Ãle de Ré. Born here, bredhere, from old French moneyâor at least so they would like you to believe. Nothing gaudy. Nothing nouveau . All elegant simplicity and quality and heritage.
â Oui Madame? â I ask.
She takes a step back from the doorway, as though she cannot bear to be too close to my home, as though the poverty of it
might somehow infect her.
âThe girl,â she says simply. She does not use my name, she has never used my name, I am not even sure she knows it. âThe one
who arrived last nightâthe one staying in the third-floor apartment.â
â Oui Madame? â
âI want you to watch her. I want you to tell me when she leaves, when she comes back. I want to know if she has any visitors.
It is extremely important. Comprenez-vous? â Understand?
â Oui Madame. â
âGood.â She is not much taller than I am but somehow she manages to look down at me, as though from a great height. Then she
turns and walks away as quickly as possible, the little silver dog trotting at her heels.
I watch her go. Then I go to my tiny bureau and open the drawer. Look inside, check the contents.
She may look down upon me but the knowledge I have gives me power. And I think she knows this. I suspect, even though she
would never think to admit it, that Madame Meunier is a little afraid of me.
Funny thing: we share more than meets the eye. Both of us have lived in this building for a long time. Both of us, in our
own way, have become invisible. Part of the scenery.
But I know just what sort of woman Madame Sophie Meunier really is. And exactly what she is capable of.
Jess
âHello?â I shout. âCan anyone hear me?â
I can feel the walls swallowing the sound, feel how useless it is. I shove at the door with all my strength, hoping the weight
of my body might break the lock. Nothing: I might as well be ramming myself against a concrete wall. Panicking now, I pummel
the wood.
Shit. Shit .
âHey!â I shout, desperately now. âHEY! HELP ME!â
The last two words. A sudden flashback to another room. Shouting at the top of my lungs, shouting until my voice went hoarse,
but it never felt loud enough . . . there was no one coming. Help me help me help me someone help sheâs not . . .
My whole body is trembling.
And then suddenly the door is opening and a light flashes on. A man stands there. I take a step back. Itâs Antoine, the guy
I just watched casually smashing a bottle against a side tableâ
No . . . I can see now that Iâm wrong. It was the height, maybe, and the breadth of the shoulders. But this guy is younger
and in the weak light I can see that his hair is lighter, a dark golden color.
â Ãa va? â he asks. Then, in English: âAre you OK? I came down to get my laundry and I heardââ
âYouâre British!â I blurt. As British as the Queen, in fact: a proper, plummy, posh-boy accent. A little like the one Ben
adopted after he went to live with his new parents.
Heâs looking at me like heâs waiting for some kind of