explanation. âSomeone locked me in here,â I say. I feel shivery now that the adrenalineâs wearing off. âSomeone did this on purpose.â
He pushes a hand through his hair, frowns. âI donât think so. The door was jammed when I opened it. The handle definitely
seems a bit sticky.â
I think of how hard I threw myself against it. Could it really just have been stuck? âWell, thanks,â I say weakly.
âNo worries.â He steps back and looks at me. âWhat are you doing here? Not in the cave , I mean: in the apartment?â
âYou know Ben, on the third floor? Iâm meant to be staying with himââ
He frowns. âBen didnât tell me he had anyone coming to stay.â
âWell it was kind of last minute,â I say. âSo . . . you know Ben?â
âYeah. Heâs an old friend. And you are?â
âIâm Jess,â I say. âJess Hadley, his sister.â
âIâm Nick.â A shrug. âIâwell, Iâm the one who suggested he come and live here.â
Nick
Second floor
I suggested Jess come up to my place, rather than us chatting in the chilly darkness of the cave . Iâm slightly regretting it now: Iâve offered her a seat but sheâs pacing the room, looking at my Peloton bike, my bookcases.
The knees of her jeans are worn, the cuffs of her sweater frayed, her fingernails bitten down to fragments like tiny pieces
of broken shell. She gives off this jittery, restless energy: nothing like Benâs languor, his easy manner. Her voice is different
too; no private school for her, Iâm guessing. But then Benâs accent often changed depending on who he was speaking to. It
took me a while to realize that.
âHey,â she says, suddenly. âCan I go splash some water on my face? Iâm really sweaty.â
âBe my guest.â What else can I say?
She wanders back in a couple of minutes later. I catch a gust of Annick Goutal Eau de Monsieur; either she wears it too (which
seems unlikely) or she helped herself when she was in there.
âBetter?â I ask.
âYeah, much, thanks. Hey, I like your rain shower. Thatâs what you call it, right?â
I continue to watch her as she looks around the room. Thereâs a resemblance there. From certain angles itâs almost uncanny. . . . But her coloringâs different from Benâs, her hair a dark auburn to his brown, her frame small and wiry. That, and the curious waysheâs prowling around, sizing the place up, makes me think of a little fox.
âThanks for helping me out,â she says. âFor a moment I thought Iâd never get out.â
âBut what on earth were you doing in the cave ?â
âThe what?â
â Cave ,â I explain, âit means âcellarâ in French.â
âOh, right.â She chews the skin at the edge of her thumbnail, shrugs. âHaving a look around the place, I suppose.â I saw that
bottle of wine in her hand. How she slipped it back into the rack when she didnât think I was looking. Iâm not going to mention
it. The owner of that cellar can afford to lose a bottle or two. âItâs huge down there,â she says.
âIt was used by the Gestapo in the war,â I tell her. âTheir main headquarters was on Avenue Foch, near the Bois de Boulogne.
But toward the end of the Occupation they had . . . overspill. They used the cave to hold prisoners. Members of the Resistance, that kind of thing.â
She makes a face. âI suppose it makes sense. This place has an atmosphere, you know? My mum was very into that sort of thing:
energy, auras, vibrations.â
Was . I remember Ben telling me about his mum. Drunk in a pub one night. Though even drunk I suspect he never spilled more than
he intended to.
âAnyway,â she says, âI never really believed in that stuff.