Free Congo by Michael Crichton

some misgivings: they were going to meet Amy.

Elliot unlocked the door with its red sign DO NOT DISTURB ANIMAL EXPERIMENTATION IN PROGRESS. Behind the door, Amy was grunting and scratching impatiently. Elliot paused.

"When you meet her," he said, "remember that she is a gorilla and not a human being. Gorillas have their own etiquette. Don't speak loudly or make any sudden movements until she gets used to you. If you smile, don't show your teeth, because bared teeth are a threat. And keep your eyes downcast, because direct stares from strangers are considered hostile. Don't stand too close to me or touch me, be-cause she's very jealous. If you talk to her, don't lie. Even though she uses sign language, she understands most human speech, and we usually just talk to her. She can tell when you're lying and she doesn't like it."

"She doesn't like it?"

"She dismisses you, won't talk to you, and gets bitchy."

"Anything else?"

"No, it should be okay." He smiled reassuringly. "We have this traditional greeting, even though she's getting a little big for it." He opened the door, braced himself, and said, "Good morning, Amy."

A huge black shape came leaping out through the open door into his arms.

Elliot staggered back under the impact. Ross was astonished by the size of the animal. She had been imagining something smaller and cuter. Amy was as large as an adult human female.

Amy kissed Elliot on the cheek with her large lips, her black head seeming enormous alongside his. Her breath steamed his glasses. Ross smelled a sweetish odor, and watched as he gently unwrapped her long arms from around his shoulders. "Amy happy this morning?" he asked.

Amy's fingers moved quickly near her cheek, as if she were brushing away flies.

"Yes, I was late today," Elliot said.

She moved her fingers again, and Ross realized that Amy was signing. The speed was surprising; she had expected something much slower and more deliberate. She noticed that Amy's eyes never left Elliot's face. She was extraordinarily attentive, focusing on him with total animal watchfulness. She seethed to absorb everything, his posture, his expression, his tone of voice, as well as his words.

"I had to work," Elliot said. She sighed again quickly, like human gestures of dismissal. "Yes, that's right, people work." He led Amy back into the trailer, and motioned for Karen Ross to follow. Inside the trailer, he said, "Amy, this is Dr.

Ross. Say hello to Dr. Ross."

Amy looked at Karen Ross suspiciously.

"Hello, Amy," Karen Ross said, smiling at the floor. She felt a little foolish behaving this way, but Amy was large enough to frighten her.

Amy stared at Karen Ross for a moment, then walked away, across the trailer to her easel. She had been finger-painting, and now resumed this activity, ignoring them.

"What's that mean?" Ross said. She distinctly felt she was being snubbed.

"We'll see," Elliot said.

After a few moments, Amy ambled back, walking on her knuckles. She went directly to Karen Ross, sniffed her crotch, and examined her minutely. She seemed particularly interested in Ross's leather purse, which had a shiny brass clasp. Ross said later that "it was just like any cocktail party in Houston. I was being checked out by another woman. I had the feeling that any minute she was going to ask-me where I bought my clothes."

That was not the outcome, however. Amy reached up and deliberately streaked globs of green finger paint on Ross's skirt.

"I don't think this is going too well," Karen Ross said.

Elliot had watched the progress of this first meeting with more apprehension than he was willing to admit. Introducing new humans to Amy was often difficult, particularly if They were women.

Over the years, Elliot had come to recognize many distinctly "feminine" traits in Amy. She could be coy, she responded to flattery, she was preoccupied with her appearance, loved makeup, and was very fussy about the color of the sweaters she wore in the