tell him that her parents had committed suicide together when she had just begun to menstruate, over their heads in gambling debts, leaving her with the aristocratic bellow of a voice that marked her out as a golden girl, a woman to envy, whereas in fact she was abandoned, lost, her parentscouldn’t even be bothered to wait and watch her grow up, that’s how much
she
was loved, so of course she had no confidence at all, and every moment she spent in the world was full of panic, so she smiled and smiled and maybe once a week she locked the door and shook and felt like a husk, like an empty peanut-shell, a monkey without a nut.
They never managed to have children; she blamed herself. After ten years Saladin discovered that there was something the matter with some of his own chromosomes, two sticks too long, or too short, he couldn’t remember. His genetic inheritance; apparently he was lucky to exist, lucky not to be some sort of deformed freak. Was it his mother or his father from whom? The doctors couldn’t say; he blamed, it’s easy to guess which one, after all, it wouldn’t do to think badly of the dead.
They hadn’t been getting along lately.
He told himself that afterwards, but not during.
Afterwards, he told himself, we were on the rocks, maybe it was the missing babies, maybe we just grew away from each other, maybe this, maybe that.
During, he looked away from all the strain, all the scratchiness, all the fights that never got going, he closed his eyes and waited until her smile came back. He allowed himself to believe in that smile, that brilliant counterfeit of joy.
He tried to invent a happy future for them, to make it come true by making it up and then believing in it. On his way to India he was thinking how lucky he was to have her, I’m lucky yes I am don’t argue I’m the luckiest bastard in the world. And: how wonderful it was to have before him the stretching, shady avenue of years, the prospect of growing old in the presence of her gentleness.
He had worked so hard and come so close to convincing himself of the truth of these paltry fictions that when he went to bed with Zeeny Vakil within forty-eight hours of arriving in Bombay, the first thing he did, even before they made love, was to faint, to pass out cold, because the messages reaching his brain were insuch serious disagreement with one another, as if his right eye saw the world moving to the left while his left eye saw it sliding to the right.
Zeeny was the first Indian woman he had ever made love to. She barged into his dressing-room after the first night of
The Millionairess
, with her operatic arms and her gravel voice, as if it hadn’t been years.
Years
. ‘Yaar, what a disappointment, I swear, I sat through the whole thing just to hear you singing ‘Goodness Gracious Me’ like Peter Sellers or what, I thought, let’s find out if the guy learned to hit a note, you remember when you did Elvis impersonations with your squash racket, darling, too hilarious, completely cracked. But what is this? Song is not in drama. The hell. Listen, can you escape from all these palefaces and come out with us wogs? Maybe you forgot what that is like.’
He remembered her as a stick-figure of a teenager in a lopsided Quant hairstyle and an equal-but-oppositely lopsided smile. A rash, bad girl. Once for the hell of it she walked into a notorious adda, a dive, on Falkland Road, and sat there smoking a cigarette and drinking Coke until the pimps who ran the joint threatened to cut her face, no freelances permitted. She stared them down, finished her cigarette, left. Fearless. Maybe crazy. Now in her middle thirties she was a qualified doctor with a consultancy at Breach Candy Hospital, who worked with the city’s homeless, who had gone to Bhopal the moment the news broke of the invisible American cloud that ate people’s eyes and lungs. She was an art critic whose book on the confining myth of authenticity, that folkloristic straitjacket which