staring into the amber liquid in his cup as if it held the wisdom of the age, âI donât fool you, do I? Those othersââhe waved a vague hand to indicate their missing comradesââthey think Iâm all thatâbut you know better, donât you.â
âKnow what?â sheâd asked.
He leaned forward, smelling of beer and cigarettes. âYou know Iâm a fraud. I can feel the beast inside me, screaming to get out. And if I loose it, it will pull me up to greatness despite myself.â
âSo why not let it free?â She hadnât been a werewolf then. The world had been a gentler place, the monsters safely in their closets, and she had been brave in her ignorance.
His eyes were old and weary, his voice slurring a bit. âBecause then everyone would see,â he told her.
âSee what?â
âMe.â
To make great art, you had to expose your soul, and some things should be left safely in the dark. For a while, after sheâd been forcibly Changed, Anna hadnât made music at allâand not just because sheâd had to sell her cello.
âAnna?â
She moved her grip on the steering wheel. âJust thinking about Dana and why she canât paint as sheâd like to.â She hesitated. âI wonder if it is because she has no soulâlike some of the churches claim. Or if itâs because what is inside her frightens her too much to expose it.â
HEâD chosen the hotel because he wanted Anna to be comfortable. There were fancier places in downtown Seattle, glittering jewels of steel and glass.
He could afford them.
In other cities, the Marrokâs company even owned a few, and they had hefty investments in some others. But he remembered how intimidated sheâd been by his house only a few weeks ago, which was not extravagant or particularly large, so he thought sheâd be more comfortable in this hotel, which was his favorite anyway.
Sometimes it embarrassed him. This need to show her the things he treasured in the hope that she would love them, too. He was too old to be indulging himself this way: showing off in the planeâtaking her to this hotel. Heâd have to tell her about the investment portfolio heâd started for her sometime. But he was an old hunter and knew better than to startle his prey. Heâd wait until she was more comfortable with him, with the pack . . . with everything.
Anna stopped in front of the curb and he could feel her stress when the parking attendant came to take her keys from her. She hugged herself while Charles gave his name and handed the young man a tip for not looking taken aback by the battered Toyota.
He took their luggage, and, still watching Anna, who was looking down at her feet, refused help with them. Sheâd feel better without anyone serving them.
Maybe he should have taken her to something more impersonal? Someplace where you parked your own car and no one asked if you needed help? Maybe she was still upset by Danaâs attempt to make her jealous. Or maybe she was worried about Brother Wolf.
Brother Wolf had never talked to anyone but him like that. Not even Da. Maybe it upset her? Or maybe it was the way Brother Wolf had opened them to her outside the faeâs house. Had she seen something that disgusted her? Frightened her? Maybe the distance sheâd put between them when they left Danaâs house had nothing to do with jealousy at all.
He wasnât used to the emotional roller coaster heâd been on since he met her. It was a good thing she was an Omega, who could soothe everyone around herâand not a dominant. Brother Wolf was on edge as it was; only when she touched him or when she was happy did he have complete control.
They needed to talk, but not in public.
The hotel was older: brick instead of steel, and eleven stories, not thirty. But it was old-world upscale, decorated with a whimsy that appealed to him, the aim to