matter of minutes. The damage to my ear turned out to be minimal, but there’s still the faint depression in the bone behind my ear where the rock hit me, like a fingerprint in hardened clay.
Chapter 8
7:45 p.m.
We’ve been at it for a few hours already, and the visitors keep coming, pouring through the door in an endless stream, as if busloads are being dropped off at the front door every half hour. Knob’s End has become a parking lot, and my face is sore from smiling politely as my mother introduces and reintroduces everyone, my ass numb from the cheap foam underneath the crappy vinyl of the shiva chair. The plastic tips of the flimsy catering chairs set up around the room scrape the oak floor as the guests jockey for position, gradually working their way from the back of the room to the front, where they can ask the same questions as the guests who came before them, invoke the same platitudes, and squeeze my mother’s forearm with theatrically pursed lips. We should have a handout at the door to speed things along, a brief summary of Dad’s illness and all that transpired in the final days, maybe even a photocopy of his charts and a four-color printout of his last CAT scan, because that seems to be what all of his and Mom’s peers want to talk about. And at the bottom of the handout a simple asterisked declaration would state that it’s of absolutely no interest to us where you were when you found out our father/husband had died, like he was John F. Kennedy or Kurt Cobain.
Paul gets by without saying much, offering up a series of Rorschach grunts that people seem to hear as actual responses. Wendy shamelessly takes cell phone calls from her girlfriends back in L.A., and Phillip amuses himself by lying his ass off, seeing how far he can push the boundaries of credibility.
Middle-Aged Woman: My God, Phillip! The last time I saw you, you were in high school. What do you do now?
Phillip: I run a Middle East think tank in D.C. Phillip: I manage a private equity biotech fund. Phillip: I’ve been coordinating a freshwater project for UNICEF in Africa.
Phillip: I’m working as a stuntman on the new Spielberg project. And then there are the platters. Jews don’t send flowers, they send food, in large quantities: fruit platters, assorted cookie platters, cold cuts, casseroles, cakes, wild rice salads, bagels and smoked salmon. Linda, who has effortlessly slipped back into her habitual role of supplemental caretaker for the Foxman clan, sets up the nonperishable items on the dining room table, along with a coffee samovar, which leads to an ad hoc buffet situation. The visitors work their way through the chairs, chat with the bereaved, and then gravitate into the dining room for coffee and nosh. It’s like a wake, except it’s going to last for seven days, and there’s no booze. Who knows what kind of epic party this might become if someone popped the plastic lock on the whiskey bar? The visitors are mostly senior citizens, friends and neighbors of my parents, coming to see and be seen, to pay their respects and contemplate their own impending mortality, their heart conditions and cancers still percolating below the surface, in livers and lungs and blood cells. Another of their number has fallen, and while they’re here to console my mother, you can see in their staunch, pale faces the morbid thrill of having been passed over by death. They have raised their kids, paid off their mortgages, and they will spend their golden years burying each other, somberly keeping track of their relentlessly dwindling numbers over coffee and crumb cake in houses just like this one. I’m supposed to be decades away from this, supposed to be just starting my own family, but there’s been a setback, a calamitous detour, and you wouldn’t think you could get any more depressed while sitting shiva for your father, but you’d be wrong. Suddenly, I can’t stop seeing the footprints of time on everyone in the room. The liver spots,
1796-1874 Agnes Strickland, 1794-1875 Elizabeth Strickland, Rosalie Kaufman