Free Murder on the Orient Express by Agatha Christie

kimono of scarlet with dragons on it.”
    Poirot nodded. “And after that?”
    “Nothing, Monsieur, until the morning.”
    “You are sure?”
    “Ah, pardon-you yourself, Monsieur, opened your door and looked out for a second.”
    “Good, my friend,” said Poirot. “I wondered whether you would remember that. By the way, I was awakened by what sounded like something heavy falling against my door. Have you any idea what that could have been?”
    The man stared at him. “There was nothing, Monsieur. Nothing, I am positive of it.”
    “Then I must have had thecauchemar ,” said Poirot philosophically.
    “Unless,” put in M. Bouc, “it was something in the compartment next door that you heard.”
    Poirot took no notice of the suggestion. Perhaps he did not wish to before the Wagon Lit conductor.
    “Let us pass to another point,” he said. “Supposing that last night an assassin joined the train. Is it quite certain that he could not have left it after committing the crime?”
    Pierre Michel shook his head.
    “Nor that he can be concealed on it somewhere?”
    “It has been well searched,” said M. Bouc. “Abandon that idea, my friend.”
    “Besides,” said Michel, “no one could get on to the sleeping-car without my seeing them.”
    “When was the last stop?”
    “Vincovci.”
    “What time was that?”
    “We should have left there at 11:58, but owing to the weather we were twenty minutes late.”
    “Someone might have come along from the ordinary part of the train?”
    “No, Monsieur. After the service of dinner, the door between the ordinary carriages and the sleeping-cars is locked.”
    “Did you yourself descend from the train at Vincovci?”
    “Yes, Monsieur. I got down onto the platform as usual and stood by the step up into the train. The other conductors did the same.”
    “What about the forward door-the one near the restaurant car?”
    “It is always fastened on the inside.”
    “It is not so fastened now.”
    The man looked surprised; then his face cleared. “Doubtless one of the passengers opened it to look out on the snow.”
    “Probably,” said Poirot.
    He tapped thoughtfully on the table for a minute or two.
    “Monsieur does not blame me?” said the man timidly.
    Poirot smiled on him kindly.
    “You have had the evil chance, my friend,” he said. “Ah! one other point while I remember it. You said that another bell rang just as you were knocking at M. Ratchett’s door. In fact I heard it myself Whose was it?”
    “It was the bell of Madame la Princesse Dragomiroff. She desired me to summon her maid.”
    “And you did so?”
    “Yes, Monsieur.”
    Poirot studied the plan in front of him thoughtfully. Then he inclined his head.
    “That is all,” he said, “for the moment.”
    “Thank you, Monsieur.”
    The man rose. He looked at M. Bouc.
    “Do not distress yourself,” said the latter kindly; “I cannot see that there has been any negligence on your part.”
    Gratified, Pierre Michel left the compartment.

Murder on the Orient Express
    2
    THE EVIDENCE OF THE SECRETARY
    For a minute or two Poirot remained lost, in thought.
    “I think,” he said at last, “that it would be well to have a further word with Mr. MacQueen, in view of what we now know.”
    The young American appeared promptly.
    “Well,” he said, “how are things going?”
    “Not too badly. Since our last conversation, I have learnt something-the identity of Mr. Ratchett.”
    Hector MacQueen leaned forward interestedly. “Yes?” he said.
    ” ‘Ratchett,’ as you suspected, was merely an alias. The man ‘Ratchett’ was Cassetti, who ran the celebrated kidnapping stunts-including the famous affair of little Daisy Armstrong.”
    An expression of utter astonishment appeared on MacQueen’s face. Then it darkened. “The damned skunk!” he exclaimed.
    “You had no idea of this, Mr. MacQueen?”
    “No, sir,” said the young American decidedly. “If I had, I’d have cut off my right hand before it