had a free attitude towards sex and one-night stands. Sheâs not only able to separate the physical from the emotional, thatâs actually her involuntary response. She views sex as a physical desire, a need thatâs totally separate from romance or love and therefore does not require any sort of emotional connection. In other words, she approaches sex in the same no-strings-attached, Path B way that Barney does.
As a man, Barneyâs liaisons are overlooked and sometimes even applauded by his friends, but not so for Robin. Instead sheâs judged for her open attitude towards sex divorced from love. Sheâs called âcoldâ or sometimes far worse. In âThe Naked Man,â Marshall announces heâs âcalling slut,â labeling Robin in an extremely derogatory manner because the group discovered she had a one-night stand with a man she has no interest in seeing again. Itâs clearly sexism at its height, but rather than take up the feminist torch Robin quickly succumbs to peer pressure. She feels so badly about herself that she attempts to seriously date the man and pretend to have feelings for him just to save face until Marshall takes back his claim that sheâs a slut.
âThe Naked Manâ illustrates the double standard that exists for men and women, but more specifically it highlights how even Robin, a woman who presents herself as a forward-thinking feminist, still feels compelled to conform to the traditionally approved path for women.
Daddy Issues
Just so we wonât miss the ideological war happening within her, the writers compound Robinâs struggle with the history of her upbringing. With a domineering single father who wanted a son and raised her as a typical boy, Robin was automatically pushed into feminist thinking from a very young age. The abnormal, exaggerated experiences of her youth set up immediate turmoil for Robin as to gender roles and what a woman should want out of life.
In âHappily Ever Afterâ and âWho Wants to Be a Godparent?â Robin talks about the horrors of her young life and how all signs of traditional femininity were punished. In âMystery vs. Historyâ she even tells of how she was literally left alone in the wilderness and forced to become independent and self-reliant simply to survive the ordeal. Those are just a few of the episodes that in sometimes comical, sometimes heartbreaking, but always unmistakable ways demonstrate how Robin has been programmed since childhood to believe that all âgirlyâ traditional things are bad, and has instead been shoved down a path of unrelenting self-sufficiency with a complete focus on career.
Do we all have a maniacal father who forces us to burn our feminine clothes in an oil drum, pushes us out of a plane over a wolf-infested forest, and sends us off to military school if weâre caught kissing our crush? Do all of our friends âcall slutâ and instead promote saying âI love youâ on the very first date? Of course not, but by placing Robin squarely in the middle, caught between the two opposing philosophies, the writers create the instantly recognizable struggle facing countless modern women over which version of themselves they can and should be.
I Never Said Never
At the same time that Robin is tugged in opposite directions by friends, family, and society both to remain a stanchly independent, career-focused feminist and to bow to the time-honored love and marriage lifestyle, her dilemma is further complicated by the fact that she feels a secret desire for some of those traditional things herself, leading to an increased sense of guilt and confusion.
In the second half of âNothing Good Happens After 2 A.M .,â when Robin goes home to her empty apartment, she realizes that those kindergarteners were right; she is lonely. Itâs that loneliness that compels her to start a relationship with the very conventional Ted in the