Book of the Dead

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Authors: John Skipp, Craig Spector (Ed.)
pants and boots, Jack Pace had sunk like a stone. They had buried an empty casket in the little cemetery at the north end of Jenny Island, and the Reverend Peebles (on Jenny you had your choice when it came to religion: you could be a Methodist, or if that didn’t suit you, you could be a Methodist) had presided over this empty coffin, as he had so many others, and at the age of twenty-two Maddie had found herself a widow with an almost half-cooked bun in her oven and no one to tell her where the wheel was, let alone when to put her shoulder to it.
    She thought she would go back to Deer Isle, back to her mother, to wait for her time, but she knew her mother was as lost—maybe even more lost—than she was herself, and held off.
    “Maddie,” Jack told her again and again, “the only thing you can ever decide on is not to decide.”
    Nor was her mother any better. They talked on the phone and Maddie waited and hoped for her mother to tell her to come home, but Mrs. Sullivan could tell no one over the age of ten anything. “Maybe you ought to come on back over here,” she had said once in a tentative way, and Maddie couldn’t tell if that meant please come home or please don’t take me up on an offer which was really just made for form’s sake , and she spent sleepless nights trying to decide and succeeding in doing only that thing of which Jack had accused her: deciding not to decide.
    Then the weirdness started, and that was a mercy, because there was only the one small graveyard on Jenny (and so many of the graves filled with those empty coffins —a thing which had once seemed pitiful to her now seemed another blessing, a grace) and there were two on Deer Isle, bigger ones, and it seemed so much safer to stay on Jenny and wait.
    She would wait and see if the world lived or died.
    If it lived, she would wait for the baby.
    That seemed like enough.
     
    And now she was, after a life of passive obedience and vague resolves that passed like dreams an hour or two after getting out of bed, finally coping . She knew that part of this was nothing more than the effect of being slammed with one massive shock after another, beginning with the death of her husband and ending with one of the last broadcasts the Pulsifers’ TV had picked up—a horrified young boy who had been pressed into service as an INS reporter, saying that it seemed certain that the president of the United States, the first lady, the secretary of state, the honorable senator from Oregon (which honorable senator the gibbering boy reporter didn’t say), and the emir of Kuwait had been eaten alive in the White House ballroom by zombies.
    “I want to repeat,” the young reporter said, the fire-spots of his acne standing out on his forehead and chin like stigmata. His mouth and cheeks had begun to twitch; the microphone in his hand shook spastically. “I want to repeat that a bunch of dead people have just lunched up on the president and his wife and a whole lot of other political hotshots who were at the White House to eat poached salmon and cherries jubilee. Go, Yale! Boola-boola! Boola-fuckin-boola!” And then the young reporter with the fiery pimples had lost control of his face entirely, and he was screaming, only his screams were disguised as laughter, and he went on yelling Go, Yale! Boola-boola! while Maddie and the Pulsifers sat in dismayed silence until the young man was suddenly swallowed by an ad for Boxcar Willy records, which were not available in any store, you could only get them if you dialed the 800 number on your screen, operators were standing by. One of little Cheyne Pulsifer’s crayons was on the end table beside the place where Maddie was sitting, and she took down the number before Mr. Pulsifer got up and turned off the TV without a single word.
    Maddie told them good night and thanked them for sharing their TV and their Jiffy Pop.
    “Are you sure you’re all right, Maddie dear?” Candi Pulsifer asked her for the fifth time that

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