Free Sloppy Seconds by Wrath James White

Sloppy Seconds
    Wrath James White
    FIRST EDITION
    This collection is a work of fiction. Names, characters, places, and incidents either are the product of the author's imagination or are used fictitiously. Any resemblance to actual persons, living or dead, events, or locales is entirely coincidental.
    All rights reserved. Copyright 2008 Wrath James White
    Cover art Copyright 2008 Mark McLaughlin
    "Hurting Him" first appeared in the Brutal Tales e-zine
    SKULLVINES PRESS
    skullvines.com
    No part of this book may be reproduced or transmitted in any form or by any means, electronic or mechanical, including photocopying, recording, or by any information storage and retrieval system, without the written permission of the author and publisher.
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    Table of Contents
    Sloppy Seconds - In Retrospect
    Morbid Obesity
    Panty Pudding
    Alive
    Felching the Worm
    Crackwhore Gigolo
    Hurting Him
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    Sloppy Seconds - In Retrospect
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    When I entered my first World Horror Convention Gross-Out Contest in Chicago back in 2002, I had very little idea of what to expect. I made it to the finals the year before in the now-defunct Delirium webzine's first and last online gross-out contest, but that didn't prepare me for the spectacle that is the WHC Gross-Out Contest. I was expecting some tiny room with maybe a couple dozen people. I walked into an auditorium that seemed to house half the convention's attendees. The list of competitors was nearly two pages long. The previous years had been dominated by such giants of the genre as Brian Keene, Mark McLaughlin, and Ed Lee. I was fully prepared to be out of my league but luckily, none of them entered that year.
    I sat in the back, listening to the other competitors spin off their tales of gore and disgust while I continued to refine my own story, whittling it down further and further until little remained but the horrific descriptions as I prepared for my illustrious debut. Little did I know that the style I was developing, as I edited and re-edited, would become the style of gross-out readings to come.
    Earlier that day, I received valuable advice from the previous "King of the Gross-Out" Brian Keene on what the judges were looking for. I knew I had to grab them with the very first line and not waste too much time telling a story. I had to get right into the guts and grue as quickly as possible. So, I went to work cutting out all but the sickest lines. What I was doing was modeling the story after a joke; first the setup, then the punch line. The delivery would be one long rant of stomach-churning imagery. It begins with a one-liner that immediately grabs the audience's attention. Then it sucks them in - hopefully making them laugh - and builds up to the big punch line at the end.
    Repeatedly, I left the auditorium to rehearse, more nervous than I had been in years (and I have read poetry on-stage in the nude). finished my last edit just as my name was called. I walked up to the podium and began my oration.
    "Mary was a 500-lb contortionist who'd died with her titanic legs still wrapped around the back of her neck..."
    The room exploded with laughter. I paused, waiting for it to die down before barreling forward with descriptions of the woman's putrefying girth, watching as the audience alternately laughed, winced, and wretched. I detailed the mortician's surprise as a beautiful blonde model slid out of the obese woman's snatch before hitting them with the punch line, "They say that inside every fat woman is a skinny woman screaming to get out, and somehow, this one had just escaped." The laughter reached a crescendo. I knew I had them.
    There were some other great stories that night. Adam Pepper read a hilarious story about an infant resisting its mother's efforts to abort it, titled "Super Fetus." Brent Zirnheld read a deliciously nauseating story about a man with a fetish for sucking the pus out of pimples that I thought would definitely win if mine did not. And there were a few