holstered Remingtons. âHow fast?â
A devilish smile flickers âcross his face. âGimme a target.â
âThat flower,â I says, pointing to a yellow bloom atop a prickly pear âbout twenty paces off.
Before I even lower my arm, Jesse draws his pistol and fires.
âCome at me!â Will shouts, sitting bolt upright outta a dream. âWhere are ya?â He twists, frazzled, weapon in hand.
Jesse laughs and I just stand there staring at the cactus, now flowerless as yellow petals float to its base.
âYer turn,â Jesse says. âShould I pick something in similar distance?â
âNo use,â I says. âI canât do that with a pistol, not even close. But Iâm thinking maybe I should let you teach me after all.â
âWill,â Jesse calls over his shoulder. âI ainât sure who this is, but I think Nate drowned in the pool overnight.â
âGood. Nate was a grump.â
âAnd becoming one again right now,â I says, raising my voice at Will.
He rolls onto his side, muttering.
âYou better be up in ten,â Jesse says. âWe gotta move.â Then he turns to me. âFirst lessonâll be quick. I donât wanna stall in one place much longer.â
âSuits me fine,â I says, âcus I agree with him. Thatâs twice now.
He points at the flower of another nearby cactus. âPicture shooting it.â
âAll right,â I says, and glance back to him.
âDone already?â
âWell it werenât exactly a hard task.â
âFine, then. Tell me what you saw.â
âI saw the flower, and then I imagined it blown to pieces.â
He shakes his head. âNo, see, yer approaching it all wrong. It ainât âbout the flower or the cactus. Itâs âbout
you.
The bullet ainât happening to the flower.
Yer
happening to the flower. You gotta feel it allâyer stance and the weight of the pistol in yer hand. The wind on yer limbs and if itâs strong enough to tug the lead plum. Then you gotta picture every single movement, from reaching to drawing to aiming to squeezing. You gotta see yerself doing it before you do, and then when you act, you ainât gotta think âbout it. You just . . . flow. Let yer limbs catch up to yer mind.â
âSo yer saying itâs in yer head?â
âAinât everything?â
I suck my bottom lip. It donât sound too different from how Pa taught me to fire my rifle. Itâs just everythingâs faster.
âBut howâd you see it all so quick? You fired before I even finished pointing out the flower.â
Jesse winks. âThatâs lesson number twoâthe final lesson: practice.â
âTwo lessons total?â I says. âAnd itâs mostly all practice? What do I need a teacher for, then?â
âTo come down on you when yer slacking.â
âI donât slack.â
âYou did with yer watch duties this morning.â
âUgh, yer like a mesquite thorn, Jesse.â
âPoisonous?â he says. âIâll take that as a compliment.â
âI meant a nuisance. Itâs like yer trying to get me riled.â
âIâm trying to motivate,â he says, pointing at the prickly pear. âNow picture it.â
I sigh heavier than necessary but turn my sights to the flower. Thereâs the slightest breeze moving the petals from east to west, so my bullet might stray over a long distance, but prolly not one this close. Thinking âbout the bullet moving through the air leads me to thinking âbout pulling the trigger, which leads to the draw and the very weight of the Colt in my holster. I see it all in reverse, and in a flash I can imagine it happening. I got my weight pressed down through my left leg right now, and I change that, spreading it out even. I can see my hand going to the holster, drawing the gun, cocking the