things,â he said.
âMay I come in?â
Whitehead half-turned toward the dark room behind him and then shook his head. âI was just going out. For breakfast,â he added.
âI can always use a second breakfast. Iâll buy if youâll let me tag along. It isnât every day somebody recognizes me.â
I was trying to point out that we had something in common: membership in the Has-Beens of America Society. That link or my offer to buy won the point for me. Whitehead kept me waiting while he found the jacket that matched his vest. Then he led me east on Belmont to Olympic Boulevard.
âItâs just a short walk,â he said. âI never drive.â
As we passed the DeSoto, I considered tossing my flask through its open window. Now that Iâd actually met Whitehead, I was even less comfortable with the idea of liquoring him up. He wouldnât have thanked me for the gesture. When we reached the corner, he gazed at a bar called Maxieâs as though it was the girl heâd left behind.
Across the boulevard from the bar was an old-fashioned, railroad-style dining car. âThere we go,â I said. âJust what we need.â
I took Whitehead by his patched elbow and led him across the four lanes of homicidal traffic. The dinerâs lunchtime crowd hadnât arrived yet, assuming the place had a lunchtime crowd. I found us a booth with plenty of privacy and ordered coffee and bacon and eggs from a waitress who didnât know she was dealing with two celebrities. Whitehead seconded my choices without much enthusiasm. After the coffee arrived, I offered him a cigarette. He held it very delicately, between his thumb and forefinger, but he drew on it like a man siphoning gasoline.
âWhat exactly are you after from Drury?â I asked.
His yellowed eyes avoided mine like twin butterflies dodging the same net. âOscar Levant was in that movie, too,â he said. He moved his tongue around in his mouth, inspecting his teeth. â Rhythm on the River .â
âI remember,â I said.
âNot as well as I do,â Whitehead said, his voice so dry it brought dusty Alora to mind.
âHow could that be?â
He shrugged and cleared his throat.
âHave some coffee,â I said.
âDonât have a taste for it, thank you.â
âLet me sweeten it for you.â I unscrewed the top of the flask before removing it from the pocket of my suit coat. There wasnât much room in Whiteheadâs mug. Just enough for one healthy shot of rye.
He didnât ask why I wasnât joining him. He was beyond that kind of pleasantry. He took the mug from me and made room for another shot. I poured it and put the flask back in my pocket. I didnât bother replacing the cap.
âWhat are you doing for Carson?â Whitehead asked, his feathery voice gaining strength with each word. âAre you in production now? You canât be acting for him; heâs using the original Albertsons cast.â
âYou answer one for me first,â I said. âHow is it you knew about Druryâs latest project? It was supposed to be a secret.â
âKay Lamantia told me.â Whitehead was holding his mug beneath his Roman nose, inhaling its fragrance. âKay was our costume designer on First Citizen and Imperial Albertsons . Carson tried to hire her for the reshoot, but she wouldnât come out of retirement. She was nice enough to call me for a chat.â
He took another killer drag on his cigarette and waited for me to live up to my end of our bargain.
âThe company I work for was hired by Drury,â I said. âWeâre in the security business. I havenât been an actor since the war. There are various schools of thought on why my career ended. One is that the studios lost interest in me. Another says that I lost interest in acting. I like to think I just aged out of my character, like Mickey