Free Where the God of Love Hangs Out: Fiction by Amy Bloom

hoped to have, it’s certainly better than being in a psychiatric hospital. The raccoon has started on his second slice of bacon bread. Clare would like to put out the orange marmalade and a little plate of honey. William never ate peanut butter, but Clare wants to open a jar for the raccoon. She’s read that they love peanut butter, and she doesn’t want him to leave.
    In an ideal world, the raccoon would give Clare advice. He would speak to her like Quan Yin, the Buddhist goddess of compassion and mercy. Or he would speak to her like Saint Paula, the patron saint of widows, about whom Clare has heard so much lately.
    Clare says, without moving, “And why is Saint Paula a saint? She dumps her four kids at a convent, after the youngest dies. She runs off to hajira with Saint Jerome. How is that a saint? You’ve got shitty mothers all over America who would love to dump their kids and travel.”
    The raccoon nibbles at the crust.
    “Oh, it’s very hard,” Clare says, sitting down slowly and not too close. “Oh, I miss him so much. I didn’t know. I didn’t know that I would be like this, that this is what happens when you love someone like that. I had no idea. No one says, There’s no happy ending at all. No one says, If you could look ahead, you might want to stop now. I know, I know, I know I was lucky. I was luckier than anyone to have had what I had. I know now. I do, really.”
    The raccoon picks up two large crumbs and tosses them into his mouth. He scans the counter and the canisters and looks closely at Clare. He hops down from the counter to the kitchen stool and onto the floor and strolls out the kitchen door.
    *  *  *
    Clare told Nelson about the raccoon and they encouraged him with heels of bread and plastic containers of peanut butter leading up the kitchen steps, but he didn’t come back. She told Margaret Slater, who said she was lucky not to have gotten rabies, and she told Adam and Danny, who said the same thing. She bought a stuffed-animal raccoon with round black velvet paws much nicer than the actual raccoon’s, and she put him on her bed with the rhino and the little bird and William’s big pillows. She told little Charlotte raccoon stories when she came to babysit (how could Emily say no to a babysitter six blocks away and free and generous with her time?). She even told Emily, who paused and said, with a little concern, that raccoons could be very dangerous.
    “I don’t know if you heard,” Emily said. “My mother’s getting married. A wonderful man.”
    Clare bounced Charlotte on her knee. “Oh, good. Then everyone is happy.”

 
     
     
     
     

Opening the Hands Between Here and Here
On the dark road, only the weight of the rope. Yet the horse is there .
—J ANE H IRSHFIELD

BETWEEN HERE AND HERE
For ESBL
    I had always planned to kill my father. When I was ten, I drew a picture of a grave with ALVIN LOWALD written on the tombstone, on the wall behind my dresser. From time to time, I would add a spray of weeds or a creeping vine. By the time I was in junior high, there were trees hung with kudzu, cracks in the granite, and a few dark daisies springing up. Once, when my mother wouldn’t let me ride my bike into town, I wrote, Peggy Lowald is a fat stupid cow behind the dresser but I went back the same day and scribbled over it with black Magic Marker because most of the time I did love my mother and I knew she loved me. The whole family knew that my mother’s feelings were Sensitive and Easily Hurt. My father said so, all the time. My father’s feelings were also sensitive, but not in a way that I understood the word, at ten; it might be more accurate to say that he was extremely responsive. My brother, Andy, drew cartoon weather maps of my father’s feelings: dark clouds of I Hate You, giving way to the sleet of Who Are You, pierced by bolts of Black Rage.
    Most of the mothers in our neighborhood were housewives, like my mother. But my mother was really a very good cook