Free The Patrick Melrose Novels: Never Mind, Bad News, Some Hope, and Mother's Milk by Edward St. Aubyn

Bridget with a flat circular wave, like someone polishing a windowpane. ‘And this is Anne Moore.’

    ‘Hi,’ said Anne.

    ‘How do you do?’ said Nicholas, and introduced Bridget.

    Eleanor led them towards the car park and Bridget blew a kiss over her shoulder in Barry’s direction.

    ‘ Ciao ,’ said Barry, jabbing his finger at the confident words on his T-shirt. ‘Don’t forget.’

    ‘Who was that fascinating-looking man your girlfriend was talking to?’ asked Eleanor.

    ‘Oh, just somebody on the plane,’ said Nicholas. He was annoyed to find Barry at the airport and for a moment he thought that Bridget might have arranged the meeting. The idea was absurd, but he could not shake it off, and as soon as they were all settled in the car, he hissed at her, ‘What were you talking to that chap about?’

    ‘Barry isn’t a chap,’ said Bridget, ‘that’s what I like about him, but if you really want to know, he said, “Don’t drink the pink, it’s full of chemical shit and the hangover is worse than a comedown off a speed binge.”’

    Nicholas swivelled round and gave her a deadly look.

    ‘He’s absolutely right, of course,’ said Eleanor. ‘Perhaps we should have asked him to dinner.’

     

    7

    AFTER HANGING PATRICK FROM his ears and watching him escape from the library, David shrugged, sat down at the piano, and started to improvise a fugue. His rheumatic hands protested at every key he touched. A glass of pastis, like a trapped cloud, stood on top of the piano. His body ached all day long and the pain woke him at night every time he shifted position. Nightmares often woke him as well and made him whimper and scream so loudly that his insomnia overflowed into neighbouring bedrooms. His lungs, also, were shot away and when his asthma flared up he wheezed and rattled, his face swollen by the cortisone he used to appease his constricted chest. Gasping, he would pause at the top of the stairs, unable to speak, his eyes roaming over the ground as if he were searching for the air he desperately needed.

    At the age of fifteen his musical talent had attracted the interest of the great piano teacher Shapiro, who took on only one pupil at a time. Unfortunately, within a week, David had contracted rheumatic fever and spent the next six months in bed with hands too stiff and clumsy to practise on the piano. The illness wiped out his chances of becoming a serious pianist and, although pregnant with musical ideas, from then on he claimed to be bored by composition and those ‘hordes of little tadpoles’ one had to use to record music on paper. Instead, he had hordes of admirers who pleaded with him to play after dinner. They always clamoured for the tune they had heard last time, which he could not remember, until they heard the one he played now, which he soon forgot. His compulsion to amuse others and the arrogance with which he displayed his talent combined to disperse the musical ideas he had once guarded so closely and secretly.

    Even while he drank in the flattery he knew that underneath this flamboyant frittering away of his talent he had never overcome his reliance on pastiche, his fear of mediocrity, and the rankling suspicion that the first attack of fever was somehow self-induced. This insight was useless to him; to know the causes of his failure did not diminish the failure, but it did make his self-hatred a little more convoluted and a little more lucid than it would have been in a state of plain ignorance.

    As the fugue developed, David attacked its main theme with frustrated repetitions, burying the initial melody under a mudslide of rumbling bass notes, and spoiling its progress with violent bursts of dissonance. At the piano he could sometimes abandon the ironic tactics which saturated his speech, and visitors whom he had bullied and teased to the point of exasperation found themselves moved by the piercing sadness of the music in the library. On the other hand, he could turn the