The Burglar Who Painted Like Mondrian
of coffee at a lunch counter on Madison Avenue, where I left the quarter as a tip, hoping it would delight the waitress as much as it had delighted me. I got out of there and started walking uptown until I came to a florist.
    It was past four. The shift would have changed by now, unless someone was late. Still, it would probably be easier getting past a crew who’d seen me last night than convincing the doorman and concierge I wanted to make another in-person delivery.
    I went in and paid $7.98 for essentially the same assortment that had set me back $4.98 on the West Side. Ah, well. No doubt this chap had higher rent to pay. In any event, I might get another quarter from Ms. Tremaine, and that would offset some of my expenses.
    Leona Tremaine, I wrote once more on the outside of the envelope. And, on the card, Won’t you say I’m forgiven? Donald Brown.
     
    The staff had turned over at the Charlemagne. I recognized the concierge and the doorman from the night before, but if my face was familiar they didn’t remark on it. Last night I’d been a guest of a tenant, all decked out in suit and tie, while today I was a short-sleeved member of the working class. If either of them recognized me, he probably assumed he’d seen me delivering flowers another time.
    Again the concierge offered to see that the flowers were delivered, and again I insisted on making the delivery in person, and again the doorman snickered, guessing that I wanted my tip. It was nice to see they all had their lines down pat. The concierge announced me on the intercom and Eduardo took me up to the ninth floor, where Ms. Tremaine was waiting in the doorway of her apartment.
    “Why, it’s you again,” she said. “I can’t understand this at all. Are you sure these flowers are for me?”
    “The card says—”
    “The card, the card, the card,” she said, and opened its envelope. “‘Won’t you say I’m forgiven? Donald Brown.’ What a curious sentiment. More specific than fondly, I daresay, but rather more baffling. Who is this Donald Brown and why am I to forgive him?”
    The elevator had not gone away.
    “I’m supposed to ask if there’s a reply,” I said.
    “A reply? A reply? To whom am I supposed to address this reply? It’s quite clear to me that I’m not the intended recipient of these flowers, and yet how could such a mistake have been made? I no more know of another Leona Tremaine than I know any Donald Brown. Unless it’s someone I knew years ago whose name has apparently slipped my recollection.” Her hands, tipped with persimmon-colored nails, unwrapped the elusive Mr. Brown’s offering. “Lovely,” she said. “Lovelier than the last, but I don’t understand why they’ve been given to me. I don’t begin to understand it.”
    “I could call the store.”
    “I beg your pardon?”
    “I could call the flower shop,” I suggested. “Could I use your phone? If there’s a mistake I’ll get in trouble, and if there’s no mistake maybe they can tell you something about the person who sent you the flowers.”
    “Oh,” she said.
    “I really better call,” I said. “I don’t know if I should leave the flowers without calling in.”
    “Well,” she said. “Well, yes, perhaps you’d better call.”
    She led me inside, drew the door shut. I tried to hear the elevator going off on other business, but of course I couldn’t hear anything. I followed Leona Tremaine into a thickly carpeted living room filled with more furniture than it needed, the bulk of it French Provincial. The chairs and sofa were mostly tufted and the colors ran to a lot of pink and white. A cat displayed himself on what looked to be the most comfortable of the chairs. He was a snow-white Persian and his whiskers were intact.
    “There’s a telephone,” she said, pointing to one of those old French-style instruments trimmed out in gold and white enamel. I lifted the receiver to my ear and dialed Onderdonk’s number. The line was busy.
    “It’s

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