known as coded whistle-arrows. When a general received one of these, falling from the sky, sent by Her Majesty, he had to act immediately on the instructions secretly implied by the arrow, its secret so closely guarded that the sender would not allow herself to write it down or have it transmitted by word of mouth.”
Tumchooq and I were now heading towards the communal living quarters for the employees of the Forbidden City, where his mother lived; although, he claimed, she had gone to work, even though it was Sunday.
“Eighteen seventy-four saw a key event in Cixi’s life,” he went on. “After thirteen years as regent she had to restore imperial authority to her son, Tongzhi, the child emperor who had now grown up and reached the age of maturity: eighteen. The law of the Empire requiring Cixi to renounce all power would deprive her of the only pleasure she had known in widowhood. Like a pre-programmed death. Soon she would be the subject of monstrous slander, accused of causing the downfall of the Empire, bringing disaster on the entire country and having blood on her hands. Her victims’ families would testify to her cruelty and perversity, making a tally of the dead and clamouring for her head. I think those twelve arrows asked her favourite great-nephew to avenge her or save her from Hell.”
When Tumchooq lifted the lid on the box that belonged to his mother I stood for a long time looking at that fascinating arrow, its slender, pointed end made of lead pocked with greenish rust, which I feel I can still see gleaming before my eyes to this day. I couldn’t help bringing it up to my mouth and was tempted to dab it with the tip of my tongue to see whether it was poisoned, when I had an idea: Had Cixi ordered her great-nephew to carry out an assassination? Did she simply want to hear this arrow whistling through the air or did she, in fact, want to see it piercing the chest—the very heart—of the son who had driven her from the throne?
Neither Mulian Saves His Mother nor The White Arrow was played out on the stage of history, but the pages written then were worthy of the darkest noir fiction: Emperor Tongzhi had barely assumed power and started presiding single-handed over Court audiences in the Palace of Eternal Peace, when he was struck down by a violent illness—smallpox, according to the diagnosis of Court doctors—and died the following year, 1875, at the age of nineteen. Shortly afterwards an official announcement stated that his wife, who was pregnant, had brought an end to two lives, hers and that of the future hereditary prince she carried in her belly a suicide called into question by most historians, some of whom even suspect Cixi was so incapable of renouncing power that she assassinated her son, daughter-in-law and unborn grandson. In any event, Cixi, Her Majesty the Master of China, still bearing the title of dowager empress, installed her nephew Guangxu on the throne, another child emperor who was just four, descended from the same lineage and of the same generation as his predecessor, Tongzhi.
It was the most contested succession in Chinas history. Cixi was trampling a sacred protocol which had seen the Empire perpetuated for two thousand years: when an emperor died without an heir, his succession had to be secured by a child from the imperial family, but from a different lineage and of the previous generation. Any breach of this Confucian law risked the collapse of the Empire. Cixi’s method for silencing protests proved simple, efficient and irrevocable: any ministers or courtiers who confronted her were condemned to decapitation, with the exception of just one or two who were each granted the favour of being sent a long, sturdy silk belt embroidered with celestial landscapes and graciously offered by the merciful dowager empress for them to hang themselves and, therefore, have the privilege of arriving in the afterlife with their bodies intact.
No one will ever know the true causes of