thigh, wanting to be petted and scratched behind the ears, and he obliged. The dog glanced occasionally at the television but had no great interest in the programs.
Travis was not interested in TV, either. He was intrigued only by the dog. He wanted to study it and encourage it to perform more tricks. Although he tried to think of ways to elicit displays of its astonishing intelligence, he could come up with no tests that would reliably gauge the animal’s mental capacity.
Besides, Travis had a hunch that the dog would not cooperate in a test. Most of the time it seemed instinctively to conceal its cleverness. He recalled its witlessness and comical clumsiness in pursuit of the butterfly, then contrasted that behavior with the wit and agility required to turn on the patio water faucet: those actions appeared to be the work of two different animals. Though it was a crazy idea, Travis suspected that the retriever did not wish to draw attention to itself and that it revealed its uncanny intelligence only in times of crisis (as in the woods), or if it was very hungry (as when it had opened the glove compartment in the truck to obtain the candy bar), or if no one was watching (as when it had turned on the water faucet).
This was a preposterous idea because it suggested that the dog was not only highly intelligent for one of its species but was aware of the extraordinarynature of its own abilities . Dogs—all animals, in fact—simply did not possess the high degree of self-awareness required to analyze themselves in comparison to others of their kind. Comparative analysis was strictly a human quality. If a dog was especially bright and capable of many tricks, it would still not be aware it was different from most of its kind. To assume this dog was, in fact, aware of such things was to credit it not only with remarkable intelligence but with a capacity for reason and logic, and with a facility for rational judgment superior to the instinct that ruled the decisions of all other animals.
“You,” Travis told the retriever, gently stroking its head, “are an enigma wrapped in a mystery. Either that, or I’m a candidate for a rubber room.”
The dog looked at him in response to his voice, gazed into his eyes for a moment, yawned—and suddenly jerked its head up and stared beyond him at the bookshelves that flanked the archway between the living and dining rooms. The satisfied, dopey, doggy expression on its face had vanished, replaced by the keen interest Travis had seen before, which transcended ordinary canine alertness.
Scrambling off the sofa, the retriever dashed to the bookshelves. It ran back and forth beneath them, looking up at the colorful spines of the neatly arranged volumes.
The rental house came fully—if unimaginatively and cheaply— furnished, with upholstery chosen for durability (vinyl) or for the ability to conceal ineradicable stains (eyesearing plaids). Instead of wood, there was lots of wood-finish Formica that was resistant to chipping, scratching, abrasion, and cigarette burns. Virtually the only things in the place reflecting Travis Cornell’s own tastes and interests were the books—both paperbacks and hardcovers—that filled the shelves in the living room.
The dog appeared to be intensely curious about at least some of those few hundred volumes.
Getting to his feet, Travis said, “What is it, boy? What’s got your tail in an uproar?”
The retriever jumped onto its hind feet, put its forepaws on one of the shelves, and sniffed the spines of the books. It glanced at Travis, then returned to its eager examination of his library.
He went to the shelf in question, withdrew one of the volumes to which the dog had pressed its nose— Treasure Island by Robert Louis Stevenson— and held it out. “This? You’re interested in this?”
The dog studied the painting of Long John Silver and a pirate
Grace Slick, Andrea Cagan