that
eventually I would be able to leave, close the door
behind me and stop counting.
When he died, I felt as if I had been released from
prison and could be fully alive again. He would be
taken away, and there would be no more death in the
house. And then my mother told me that I must go and
see Grandfather one last time, in his room. She would
come with me, she said. It would be all right.
The doctor had laid him out. My mother explained
to me about the laying out of the dead. I counted the
seconds in silence. More seconds than usual. A
hundred and thirty at least, standing by my mother’s
side, looking at Grandpa’s still, shrunken body. “Hold
his hand, Edward,” my mother said. When I said I
didn’t want to, she started to weep as if she would
never stop.
So I held Grandpa’s dead, bony hand. I wanted
more than anything to drop it and run away, but I clung
to it until my mother stopped crying and said we
could go back downstairs.
“Hold his hand, Edward. Hold his hand.”
Ask a Hundred People
I BARELY NOTICED THE large crowd gathered in the
Bloxham Hotel’s dining room as Poirot and I walked
in. The room itself was so striking that I couldn’t help
but be diverted by its grandeur. I stopped in the
doorway and stared up at the high, lavishly
ornamented ceiling with its many emblems and
carvings. It was strange to think of people eating
ordinary things like toast and marmalade at the tables
below a work of art such as this—not even looking
up, perhaps, as they sliced the tops off their boiled
eggs.
I was trying to make sense of the complete design,
and how the different parts of the ceiling related to
one another, when a disconsolate Luca Lazzari rushed
toward me, interrupting my admiration of the artistic
symmetry above my head with his loud lament. “Mr.
Catchpool, Monsieur Poirot, I must apologize to you
most profusely! I have hurried to assist you in your
important work, and, in doing so, I have put forward a
falsehood! It was simply, you see, that I heard many
accounts, and my first attempt to collate them was not
successful. My own foolishness was responsible! No
one else was at fault. Ah—”
Lazzari broke off and looked over his shoulder at
the hundred or so men and women in the room. Then
he moved to his left, so that he was standing directly
in front of Poirot, and stuck out his chest in a funny
sort of way. He put his hands on his hips. I think he
was hoping to hide his entire staff from Poirot’s
disapproving eye, on the principle that if they couldn’t
be seen, they couldn’t be blamed for anything.
“What was your mistake, Signor Lazzari?” Poirot
asked.
“It was a grave error! You observed that it was
surely not possible, and you were right. But I want
you to understand that my excellent staff, whom you
see here before you, told me the truth of what took
place, and it was I who twisted that truth to mislead—
but I did not do it deliberately!”
“ Je comprends. Now, to correct the mistake . . . ?”
said Poirot hopefully.
The “excellent” staff, meanwhile, sat silently at
large round tables, listening carefully to every word.
The mood was somber. I made a quick survey of the
faces and saw not a single smile.
“I told you that the three deceased guests asked to
have dinner served in their rooms at a quarter past
seven yesterday evening—each separately,” Lazzari
said. “This is not true! The three were together! They
dined as a group! All in one room, Ida Gransbury’s
room, number 317. One waiter, not three, saw them
alive and well at a quarter past seven. Do you see,
Monsieur Poirot? It is not the great coincidence that I
conveyed to you, but, instead, a commonplace
occurrence: three guests taking dinner together in the
room of one!”
“ Bon. ” Poirot sounded satisfied. “That makes
sense of that. And who was this one waiter?”
A stout, bald man seated at one of the tables rose
to his feet.