Lessons in Heartbreak

Free Lessons in Heartbreak by Cathy Kelly

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Authors: Cathy Kelly
this aloneness? Perhaps aloneness was the true human state, and not the Platonic vision of two together. She hoped so.
    She flicked off the kettle switch, grabbed her keys and went to the back door. Swapping her flat shoes for boots, she put on the old padded jacket that hung with a selection of others on a peg in the tiny back hallway. The back door faced the beach and when Anneliese pulled it open, the fresh hit of sea breeze caught her breath.
    The scent of sand and the tang of the sea filled her lungs and she gasped for a moment before recovering.
    Her cottage was half a mile from the beach, half a mile where tenacious scrub grass and hardy sea orchids clung to the land before giving way to a crest of small stones that gleamed like precious jewels when the sea drenched them. Now, the tide was out and a swathe of fawn-coloured sand stretched outahead of her in a big horseshoe. This was Milsean Bay, a small cove that sat beside the much larger Tamarin Bay, the two separated by the jagged cliff that ran down to the edge of the water.
    The Milsean side of the cliff was the more exposed part of the headland, where sand and sea rusted cars and pummelled paint off houses, leaving cottages like Anneliese’s the same colour as the driftwood that swept up on to the beach.
    On the other side of the cliff sat Tamarin itself, protected from the bite of the wind and the sea by a tiara of cliffs.
    The valley that ran through Tamarin down into the bay, where a chunk of glacier had carved a path millions of years ago, was occupied by both the River Bawn and the fat road in and out of town. In a sunny haven in the curve of the valley was the garden centre where Anneliese had worked until last year.
    Years ago, Anneliese had thought she’d like to live safely nestled within the crook of Tamarin Bay, where the wind still rattled the windows but there were neighbours close by on the nights when the power went. In the shelter of the cliffs and the hills, what was almost a micro-climate existed and in the garden centre Anneliese grew plants and flowers she wouldn’t dream of planting on the Milsean side.
    Her aunt-in-law, Lily, had a fig tree in her garden, for heaven’s sake: hugely rotund and not so good in the fig department nowadays, like an old gentleman who couldn’t be bothered with productivity now that he’d reached his three score and ten, but it was still a fig tree, still a creature of warmer climes.
    Now though, Anneliese was glad she and Edward had moved out here to the cottage twenty years before. The sense of isolation suited her. The wind couldn’t scream with any more pain and anger than she did, and here at least if she wanted to sit on her weather-beaten porch and drink winewhile Tosca shrieked in the background, nobody would call her mad or phone her relatives wondering if they ‘could have a quiet word’.
    The beach was scattered with shells and trails of slick seaweed. High on the shoreline were the hoof marks made by the morning riders who galloped along the beach from the stables three miles inland. Edward had taken photographs of them one summer: black-and-white shots of the fury of the gallop, nostrils flared and manes rippling as horses and riders thundered along, sand and surf flying.
    One of the photos still hung in the cottage where she could see it every time she walked in the front door. It was a beautiful shot.
    ‘You could take up photography,’ Anneliese had told him. Edward was very artistic, although there wasn’t much call for artistry in the insurance business.
    ‘I’m only an amateur, love,’ Edward said back, although she knew he was pleased. He hadn’t been raised to compliments. Edward’s mother thought praise was a word you only used in church, praising the Lord. Anneliese had always tried to make up for the lack of praise in Edward’s youth.
    ‘It’s pretty good for an amateur.’
    ‘You’re blind, do you know that?’ Edward said, smiling. ‘You only see my good

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